“Children who are respected learn respect. Children who are cared for learn to care for those weaker than themselves. Children who are loved for what they are cannot learn intolerance. In an environment such as this, they will develop their own ideals, which can be nothing other than humane, since they grew out of the experience of love.” – Alice Miller
After the first two uneventful taxi runs, four reporters left to file stories but the remaining press stayed for the final test run of the day. After picking up speed on the channel facing Cabrillo Beach near Long Beach, the Hercules lifted off, remaining airborne 70 feet (21 m) off the water at a speed of 135 mph (217 km/h or 117 knots) for around a mile (1.6 km). At this altitude, the aircraft was still experiencing ground effect.
Hughes had answered his critics and the hearings ended. The aircraft never flew again. It was carefully maintained in flying condition until Hughes’ death in 1976.
The Alchemy of Symmetry – Excerpt from Brueghel’s The Alchemist
S.Calhoun (2014) 10×10″
This piece is part of a large series that will likely be presented in a short film. The film is intended to show the interplay of manipulations and recursions involved in generating different pieces.
I dedicate this new series to Ms. Uidhi. (I may be one of a handful of artists, or pseudo-artists, focusing on creative luckiness in the context of a post-academic post-scholarly focus on the situation of serendipity in adult development. This could include meandering into philosophical swamps.
IP LAF Forum: Christy Mag Uidhi on Artistic Serendipity vs. Artistic Luck, 25 Sept
Tuesday 23 September 2014
INSTITUTE OF PHILOSOPHY
Thurs 25 September 2014, 4.00pm
IP London Aesthetics Forum: Room G34, Senate House, WC1
Artistic Serendipity vs. Artistic Luck
Christy Mag Uidhi (Houston)
Supported by the British Society of Aesthetics
It is standardly thought that artworks may gain and lose art-relevant properties over time (and thereby may also admit of similar gains and losses in artistic value). From this it follows that insofar as such gains and losses may be well outside the control of the artist, we ought to expect any minimally adequate theory of art and its value as such to come with (or at least be amenable to) some minimal notion of artistic luck and artistic achievement (such that ascriptions of the one undermine ascriptions of the other). In this talk, I’ll sketch what I take to be uncontroversial minimal accounts of both artistic luck and artistic achievement. From these I show it to follow that if artworks must be products of intentional action, then there can be no such thing as artistic luck (either descriptively or evaluatively). I claim the only formative role luck might play in our understanding of art and its value as such is to provide the means by which we may productively carve out an informative sub-class of artistic achievement: specifically that of artistic serendipity.
[My bold.] Intention, serendipity. Intentional serendipity is pseudo-serendipity. It is a kind of search routine. I don’t subscribe to the idea that intentionality is properly monolithic or exclusionary. But, I concede that psychologizing the artist’s creative process may take my own considerations and sensemaking out of and away from a proper philosophy of aesthetics.
Nor do I know what Ms. Mag Uidhi has in mind to flesh out the intriguing precis.
For my own part, there is so much in my creative process that permits creative intention-up-to-the-point of pulling the curtains away, and, thus includes less discrete combinations of intention and, fundamentally, hope about the unknown!
Legs of a sixteen year old, yet, I think this was his 10,000th career at-bat!
The Hotheads beat the Coolheads by two runs. The surprisingly small turnouts have been a challenge for the handicapper. The pleasure this fine Sunday morning was a pair of unassisted homeruns from Katz.
Ask yourself: what kinds of “whats” express your own depth? Your depth is, what?
To which problem do you go to first, the problem of ‘what is the what,’ or, the problem of, what is depth in terms of my depth?
Alternately, can you read the meta-problem backward? In which case, one would identify the ends which are the ramifications of the varieties of the result of: what depth is a deep what? Then you argue your answers from these end results.
(Apologies to Dr. Seuss.)
Short cut: make a list of all your accomplishments on any given day. Circle the deep accomplishments. Justify your choices. Elaborate the terms of justification. Deepen the terms of justification.
Model makers around the end of the nineteenth century realised that their models’ translucent and airy forms could make real what till then might have seemed invisible abstractions: their faith rested in the possibility of turning geometry into artefacts. So, at Goettingen and other major research centres in mathematics, students were encouraged to contemplate, handle and design ever more exotic forms as part of their training in the realities of higher geometry. In 1882 their master, the mathematician and entrepreneur Felix Klein, designed a three dimensional form which seemed to have but one surface – it came to be known as the Klein bottle. At least as interesting as its formation is its dependence on the malleable materials of which it is made. The plasticity of glass and related substances was decisive for many of the great scientific advances of a century ago, for by manipulating and twisting such substances into elegant and manageable form, technicians were able to design objects which not only helped make abstractions real, but also aided the scientists of microphysics and the subatomic world perform trials which first showed the existence of rays which could penetrate matter and particles smaller than atoms: radiation tubes, radiometers, cathode ray instruments. The magnificent glass works of the labs and workshops of the Belle Epoque showed the world how it was made. Anish Kapoor, Unconformity & Entropy
See: Imperatives for unbiased holistic education: the Klein bottle, a universal structure: an archetypal image Melanie Purcell, Department of Philosophy, University of Newcastle, PDF
What is Radical Recursion?
Steven M. Rosen, Departments of Psychology and Philosophy (Emeritus) College of Staten Island/City University of New York
Paul Ryan: Gregory, the insistence that you have that the map is not the
territory. Okay. Axiomatic in terms of a way of approaching things. Gregory Bateson: That’s old Korzybski, right.
P: Yes. As I understand it, this axiom is an insurance that logical
typing not be confused.
G: The territory not to be confused with the map. Right. Don’t eat the
P: Now, in the Kleinform that I’m working with, there are times in
which the map becomes the territory and the territory becomes the
map. One part would be explained by being contained by two other
P: And in that instance we could call that the territory to be explained.
G: Wait a minute. So you draw the pictures. But these are not pictures
of something. These are pictures about something.
P: There’s no something as far as I can tell.
G: Oh, then, I don’t know what you’re at. I’m stuck again. Well, I can
say what I understood you to be at. At wanting to describe,
what shall we say, a process of embryology. And within the embryology,
there would be relations such that there would be whatever it is,
these sort of descriptive statements you’d need to make about the
embryology. And they would be related, as these three parts of the
kleinbottle are related to each other. It would then be suitable to
map them onto a Klein bottle. That’s not what you’re at.
P: No, no…it’s not.
G: Then I got you wrong. And I was so proud of myself. I thought I
was getting…( Laughter)
P: I feel it’s close, somehow, but…Let me try it this way. This is not
propositional. The intelligence here is not propositional.
G: The intelligence of no tautology in the end is propositional.
P: I didn’t realize that about logical types. There’s more flexibility
there than I’d thought.(excerpt: Metalogue: Gregory Bateson, Paul Ryan PDF
I’ve been pondering this subject: how a person abdicates depth by instrumentalizing their activities to such a great degree that all their means no longer connect to depth. (Yes, what is depth?) In a sense, what happens is those means merely are the set-up for the consumption of the next means. Uroboros.
The test for this is the enfolded question: what is my deep what?
May depth only be supported by content and identity? (This is a meta-question. Does any justification obtain this tautology: ‘The best of what I do reflects what I do best.’)
Is there nothing deeper than me at my best, doing my best?
Heaven and the Garden of Eden, (2014) S.Calhoun, symmetry experiment
Without contraries is no progres-
sion. Attraction and repulsion, rea-
son and energy, love and hate, are
necessary to human existence.
From these contraries spring what
the religious call Good and Evil.
Good is the passive that obeys reason;
Evil is the active springing from
Good is heaven. Evil is hell.
Energy is Eternal Delight.
Those who restrain desire, do so
because theirs is weak enough to be
restrained; and the restrainer or
reason usurps its place and governs
And being restrained, it by degrees
becomes passive, till it is only the
shadow of desire.
The history of this is written in
Paradise Lost, and the Governor or
Reason is called Messiah.
And the original Archangel or pos-
sessor of the command of the heavenly
host is called the Devil, or Satan, and
his children are called Sin and Death.
But in the book of Job, Milton’s
Messiah is called Satan.
For this history has been adopted by
It indeed appeared to Reason as if
desire was cast out, but the Devil’s
account is, that the Messiah fell, and
formed a heaven of what he stole from
This is shown in the Gospel, where
he prays to the Father to send the
Comforter or desire that Reason may
have ideas to build on, the Jehovah
of the Bible being no other than he
who dwells in flaming fire. Know
that after Christ’s death he became
But in Milton, the Father is Destiny,
the Son a ratio of the five senses, and
the Holy Ghost vacuum !
Note. — The reason Milton wrote
in fetters when he wrote of Angels
and God, and at Uberty when of
Devils and Hell, is because he was
a true poet, and of the Devil’s party
without knowing it.
excerpts from William Blake – The Marriage of Heaven and Hell (fulltext)
I’ll get to its description in a moment. First, let’s wander.
Systemics and cybernetics can be viewed as a metalanguage of concepts and models for transdisciplinarian use, still now evolving and far from being stabilized. This is the result of a slow process of accretion through inclusion and interconnection of many notions, which came and are still coming from very different disciplines. Systemics and Cybernetics in a Historical Perspective, Charles Francois, Systems Research Sciences and Behavioral Systems Research Sciences, #16
In short, directed at the above from 1999, Blow that shit up. Ken and I discuss our stuff, and we very seriously marry our paired, then dancing, intuitions. I could identify and then name and then post the essential contexts that inform our brotherly shamanism–and this would interest me more than him–yet most of those contexts are deliberately unstable.
Why? “inclusion and interconnection of many notions, which came and are still coming from very different disciplines,” souls.
We’ve been playing very hard in the overlap of our entangled sensibilities. We also play in the medial space described by the overlap, but, this medial space is outside our ‘pure’ overlap. Near where it’s bounded by the overlap we understand each other, but as our intuitions drift farther away from the overlap, or as our individual impulse reconnoiters closed to the unsharable territory in the other person’s homeland, he or I become tourists.
Yes, the medial aspects cross too. (Ken might attend to this using astropsychology, where I might propose a matrix of classification.) Still, the more one of us leaves behind both our home experience and the means that implicate our individual understanding of our, by definition, non-mutual experience, the more we traverse the medial boundary away from our core and toward the other person’s core.
Why do I mention this sort of map? For one thing, it’s a good example of third order social cybernetics, a framework I am in the process of hatching.
The two of us know something about what goes on betwixt us in our co-creative conversations. And we know that much just comes up from out of some nowhere, from the, as Ken would say, foamy depths.
What we know on our own obviously is a differential knowing, it regards my knowing being different than his knowing. That is not a trivial point. At the same time, we all the time drag one another into the medial territory for the purpose of revealing the so-called second-to-third orders ‘secreted’ there in the borderlands. The borderlands are where the action is!
Here’s the call for our program.
Repairing the Opposites, Doubling Stars, Turning Swine Into Pears An experiential and imaginal exploration of relationship as individuation and daring-do
What is any human system of relationship in relationship to, and contextualized by?
Is there deep value available in transforming important partnerships, friendships, and, pairings into sites for adventure?
How does activation of the Trickster archetype revitalize the approach of the single, yearning person?
Using experiential learning, archetypal inquiry, and deep astrology, the principles of IN4tuity present an evening’s worth of games centered on the participatory psyche and sparking self-knowledge. Ken Warren and Stephen Calhoun use analytical psychology to bridge esoteric and cybernetic expertise. Their wild blend on this special evening aims to animate a circus of interactive exploration and discovery. Come prepared to play. Come ready to capture an epiphany or two about you and one other, even if the one other has not yet been met.
Pear. In Greek and Roman mythology, pears are sacred to three goddesses: Hera (Juno to the Romans), Aphrodite (Venus to the Romans), and Pomona, an Italian goddess of gardens and harvests.
The ancient Chinese believed that the pear was a symbol of immortality. (Pear trees live for a long time.) In Chinese the word li means both “pear” and “separation,” and for this reason, tradition says that to avoid a separation, friends and lovers should not divide pears between themselves.
In Christianity, the pear, rarely used except in paintings of the Renaissance and Baroque periods, symbolizes the fruit of Mary’s womb. St. Augustine remembered his first sin to be when he stole a pear. His original sin was mimetic with regard to the original sin in The Garden of Eden.
Stephen Calhoun is the principal of squareONE: experiential toolmakers. He recently became one of four worldwide learning partners of Experience-based Learning Systems, and, he is a founding member of the Experiential Learning Community of Practice.
Kenneth Warren is the founder and editor of House Organ, a letter of poetry and prose. BlazeVox recently published his selective history of American poetry: Captain Poetry’s Sucker Punch: A Guide to the Homeric Punkhole, 1980-2012.
I created the program in this way: 100% intuition, spontaneously, on a hunch. By 100% intuition I mean, following loosely from psychologist John Beebe: 50% extroverted intuition, and 50% introverted intuition; and by the latter I additionally mean, unconscious/occulted/demonic and of unknown origins.
Next step, to discuss with Ken what it is that is interesting to us both, and so find our hook in this 100% mutual intuitive build, a co-creation now consisting of half conscious and half unconscious interests brought together from our two different sides.
I am just about ready to adjust the program’s call to reflect what it is we will actually try to pull up, and pull off. Up to this point, Ken and I haven’t discussed my original program intuition at all.
What we have been discussing is the birth of romantic relationship, the initial soulful foray toward another soul, and, the paradoxical status of self-knowledge in both the light and dark zones of initial (and initiatory,) relating.
131. But if thou shut up thy Soul in the Body, and abuse it, and say, I understand nothing, I can do nothing, I am afraid of the Sea, I cannot climb up to Heaven, I know not who I am, I cannot tell what I shall be: What hast thou to do with god? for thou canst understand none of those Fair and Good things, and be a lover of the body and Evil.
132. For it is the greatest Evil, not to know God.
133. But to be able to know, and to will, and to hope, is the straight way, and Divine way, proper to the Good, and it will everywhere meet thee, and everywhere be seen of thee, plain and easy, when thou dost not expect or look for it; it will meet thee waking, sleeping, sailing, travelling, by night, by day, when thou speakest, and when thou keepest silence.
In zoom mode in Photoshop, while preparing a large new piece to be reduced to a PNG for publishing on the gallery blog, an interesting overall configuration of small details in the edge style of the digital image file.
Because I’m nowadays very sensitive to the level of complexity a possibly worthwhile mirror transformation requires to hopefully capture an intriguing symmetry, I moved around the small scale details looking for a candidate. The first image shows the workflow and the second image above is the detail I discovered.
The actual details of the 300dpi original are too small to really see in the 16×10″ proof.
The two hallmarks of my creative ethos and artistic experimentation are: generativity and recursion. I work toward a surprising conclusion by implicating those two procedural factors. In the visual realm the manifestation of both is very clearly exemplified in the above example: the discovery of a small scale within the large scale provides a recursive capture and the mirroring manipulation generates the symmetry. I act as a spotter.
Interestingly, the small scale details result from generative manipulations of the original piece, and the original piece itself is the result of blending two layers both captured in different generative procedures that are keyed by programmed search routines. Those generative instrumentalities, then, represent a recursive routine in their own right.
The final recursion is: this all evokes Gregory Bateson. (see: Peter Harries-Jones: Gregory Bateson, Heterarchies, and the Topology of Recursion. Cybernetics and Human Knowing 12(1-2): 168-174 (2005))
Among Bateson scholars, Peter Harries-Jones (1995) is notable for looking at Gregory’s “ecology of mind” in the context of his mature work, using terms for it associated with that period, “recursive epistemology” or “ecological epistemology.” The processes with which Gregory was concerned were essentially processes of knowing: perception, communication, coding and translation. Ergo epistemology. But basic to this epistemology was the differentiation of logical levels, including the relationship between the knower and the known, ergo a recursive epistemology. Ideally, the relationship between the patterns of the biological world and our understanding of it would be one of congruence, of fit, a broader and more pervasive similarity than the ability to predict in experimental contexts that depend upon simplification and selective attention. It seems useful to refer to Gregory’s ecology of mind as an epistemological ecology to contrast it with the largely materialistic ecology of academic departments. It seems essential to underline that recursiveness is a necessary feature of such an epistemology (and perhaps of every epistemology, since every effort to know about knowing involves the cat trying to swallow its own tail).
Bateson was haunted in his last years by a sense of urgency, a sense that the narrow definition of human purposes, reinforced by technology, would lead to irreversible disasters, and that only a better epistemology could save us. Certainly irreversibilities lie all around us, many, like global warming, the decay of the ozone layer, and the movement of poisons through global food chains, set on courses it is too late to change although we have yet to suffer their full effect. Still, the situation has not worsened as rapidly as he predicted and perhaps he sometimes succumbed to the lure of dramatizing a message in order to get it across in ways that later undermine that message. But the habits of mind that he described can be seen in every newspaper or newscast: the search for short term solutions that worsen the problem over time (often by mirroring it, such as violence used to oppose violence); the focus on individual persons or organisms or even species, seen in isolation; the tendency to let technological possibility or economic indicators replace reflection; the effort to maximize single variables (like profit) rather than optimizing the relationship among a complex set of variables.
Mary Catherine Bateson – new Introduction to Step to An Ecology of Mind by Gregory Bateson, 2000)
One last recursive piece – that can be thought of as recursive in a second order, thus by way of duplication and “re-relation.”
The Pir x Eight – (2014) S. Calhoun – 17×11 proof for giclee
Not all of “it” is here in this trio of cross-commenting images, yet, some of “it” is here.
On the other hand. . .
The disciples were absorbed in a discussion of Lao-tzu’s dictum:
“Those who know do not say; Those who say do not know.”
When the Master entered, they asked him exactly what the words meant.
Said the Master, “Which of you knows the fragrance of a rose?”
All of them knew.
Then he said, “Put it into words.”
All of them were silent.
I have finally found myself compelled to give up the logic, fairly, squarely, and irrevocably. It has an imperishable use in human life, but that use is not to make us theoretically acquainted with the essential nature of reality. Reality, life, expedience, concreteness, immediacy, use what words you will, exceeds our logic, overflows and surrounds it. -William James
The central teaching of the Karma Kagyu is the doctrine of Mahamudra, also known as the “Great Seal”. This doctrine focuses on four principal stages of meditative practice (the Four Yogas of Mahamudra):
The development of single-pointedness of mind,
The transcendence of all conceptual elaboration,
The cultivation of the perspective that all phenomena are of a “single taste”,
The fruition of the path, which is beyond any contrived acts of meditation.
The “ambiguity” in the sense of the indeterminacy or vagueness that permeates our existence in the world derives from the “ambiguity” of our embodied being in the sense of its irreducibility either to the transparency of self-consciousness or the inertia of matter. – Nabuo Kazashi
Highly recommended: The Social Self in Zen and American Pragmatism. By Steve Odin. (Albany: State University of New York Press, 1996.)
by the same author: Whitehead & Ethics in the Contemporary World (pdf)
Philosophy of Nothingness and Process Theology – Yutaka Tanaka (pdf)
The gash of the East Middlebury River between E. Middlebury and Ripton, Vermont
Roughly, my two favorite swimming holes on the East Middlebury River. There are several good swimming spots by pull-offs from the road, but the best spots are deep in the narrow canyon and involve hiking and scrambling down the river’s boulder fields. The most magical swimming holes are mildly dangerous to get to, and the swimmer has to be smart about risky spots in the river’s course.
At one point on the river, (I recall from twenty-five years ago,) for about 50 yards the canyon narrows to less than twenty feet wide and this causes about a fifty foot high gash, at the beginning of which is a small waterfall, then comes a deep pool, and, then comes a deceptively dynamic breakout into a huge undercut boulder. It’s very dangerous because the pool is beautiful but it channels a lot of volume into a very risky situation.
In my unstoried softball career I’ve enjoyed two periods of defensive excellence. Excellence counted as not making a circus of the routine. The first was between 1977-1984, an era during which Bob Buckeye and I locked down center and left field for the Abernathy Special Collections challenge team. during that time, Andy Kirkaldy was at the hot spot, and he was the best short stop I ever played behind. I turned thirty in 1984–heck, thirty years ago–and turned myself into a volleyball hero for the next ten years.
(Ironically, blessed with good hand/eye coordination and a crafty mind, volleyball was the only sport I ever was really nicely fit to.)
The second period started in 2002 at the time I once again trotted out to left field; this return came, after 18 years. Luckily I kept my giant Rawlings glove, a xmas gift from around 1970. Free Play Softball gave me a second life as an outfielder at forty-seven years of young. In October of 2005, I suffered the most serious on-field accident any of the Free Players so far have experienced when a line drive and a low sun and a momentary lapse in my attentiveness worked together to land the ball between my eyes with a fearsome thunk. Blood everywhere. $6k hospital bill.
I would like to report that in the next year, in the new season, I shook this off. In actuality, I was terribly snake bitten for the next three seasons. Although I consistently played left field from 2006 through 2011, and while I basically still can catch almost anything hit within my shrinking range, my own review of my skills is harsh. I’ve become slow. My signal strength remains but its being combined with a loss of velocity measures my decline as an outfielder–well, I do turn sixty next week!
I’d be a really good first base person, my original softball position back in 1970, but, nowadays, I do my damage in right field or as the roaming outfielder.
Close game this week. Funny stuff happens. Our Sunday games are not–how to put this–over-determined. If we’re sometimes careless about the handful of nuances, such as mentally simulating what might happen next time the ball is put in play, still, the nuances that gently hold the miniature dramas in our oft performed theatre of the momentarily absurd remain in great hands, in everybody’s great hands.
“Bring something incomprehensible into the world!” – Gilles Deleuze
Amusement Park – S.Calhoun 2014 – 14×11″ – from a photograph
Of course there’s a giant genre of youtube videos featuring point-of-view roller coaster rides. For me, nearing sixty, the scariest thing about a roller coaster is waiting in line for a couple of hours.
This video counts as keeper in my quest for laser-focused riffs on adult development lasting less than ten minutes.
The one qualification I would offer about managing conversations is: be aware of what happens if you idealize the structural and intentional features of a conversation. It seems to me all deep conversations come to be managed in their real time trajectory. From my perspective, discernment and shaping of conversational intentions (of any party to the conversation,) may engage third order repertoires. This seems to me to be part of the system and meta-system of conversational communication. It’s okay.
On the other hand, this may also be rationalizing on my part!
“Not-knowing refers to the belief that one person cannot pre-know another person or his or her situation or what is best for them. It refers to the intent and manner with which the coach thinks about and introduces his or her believed knowledge and expertise (what they think they might know). Knowledge and expertise (e.g., whether from research, experience, or theory) are tentatively offered as food for thought and dialogue and remain open to challenge and change.”Harlene Anderson, h/t C.Visser
Harlene Anderson, Ph.D., is founding member of the Houston Galveston Institute, the Taos Institute, and Access Success. She is recognized internationally as being at the leading edge of postmodern collaborative practices as a thinker, consultant, coach, and educator. She takes her tools — her insights, her curiosity, her engaging conversational style, her leadership skills and her keen interest — to help professionals turn theory into new and often surprising possibilities for their clients, students, and organizations. She embodies her own belief in learning as a lifelong process — inviting, encouraging and challenging people to be inquisitive, creative, authentic, and open to the ever-present possibilities for newness in others — and in themselves.
Harlene Anderson and Dr. Harold A. Goolishian developed collaborative therapy as a postmodern approach to creative and solution-based communication. A core component of postmodern collaborative therapy is that the relationship between therapist and client is one of equals; the therapist is not in a position of authority over the client. Instead, therapy is viewed as a partnership that allows the therapist and client to combine their expertise. There is a strong emphasis on becoming comfortable with uncertainty, including the therapist’s own uncertainty. The therapist avoids the use of jargon, and makes notes readily available to the client. Clients are encouraged to actively participate in the process by providing feedback on the process itself, for example, and loved ones in the client’s life are not stigmatized or viewed as harmful. Instead, they too are invited to participate in the therapeutic process.
The variable progress we’ve made toward a color-blind society requires the astute observer and citizen to grapple with the causes of the breakdowns that focus attention on a grievous collection of problems, and, at the same time, may tend to crowd-out and push the sundry daily problems out of view.
The shocking events in Ferguson Missouri crowd out the following daily problems:
1. everyday racism
2. racial profiling
3. law enforcement presuming guilt
4. traffic stops for being black
5. killing innocent people, killing innocent people-of-color
6. police regarding themselves as enforcers of laws but not subject to laws
7. officer safety divorced from objective risk management
8. heavy-weaponization of police departments
9. the dangerous synergy, and daily transactions, between the military-industrial complex and the law enforcement complex
10. not applying social and psychological-scientific understanding to the consequences of militarizing police departments
Consider whether or not the police in a given year kill more innocent people than the number of police killed in the line of duty.
Psychologically, in a critical, larger, sense, our police are us.
This ghastly power is mostly explained as fear of the neighbouring nation, which is supposed to be possessed by a malevolent fiend. Since nobody is capable of recognizing just where and how much he himself is possessed and unconscious, he simply projects his own condition upon his neighbour, and thus it becomes a sacred duty to have the biggest guns and the most poisonous gas. The worst of it is that he is quite right. All one’s neighbours are in the grip of some uncontrollable fear, just like oneself. In lunatic asylums it is a well-known fact that patients are far more dangerous when suffering from fear than when moved by rage or hatred. (C.G. Jung pg 231 Civilization In Transition)
Some criminologists argue that there is a deep antagonism between cops and black and brown men that leads both to perceive the other as a constant threat, feeding a complicated intergroup conflict. For police, it may be fueled by a sense that they represent the last line of defense for the rest of us.
Police are not soldiers. Are democracy at its most local level is threatened if we allow our police departments to morph into combat teams.
Officer safety is a magical fear in a specific sense: advocates of risk management that approve re-arming police departments with technology that is designed to kill militarized enemies, and protect from the same, can only bridge the desire for safety with the need for the technology by entering irrational suppositions and fantasies about threat into the equation. It is a fact over the last decade that heavily armed SWAT teams have entered the wrong houses, have burst through the doors of innocent citizens, and for the sake of officer safety, killed innocent people.
Detroit SWAT officer murdered seven-year old Aiyana Stanley-Jones in 2010.
Our religions and political ideologies are methods of salvation and propitiation which can be compared with primitive ideas of magic, and where such “collective representations” are lacking their place is immediately taken by all sorts of private idiocies and idiosyncrasies, manias, phobias, and daemonisms whose primitivity leaves nothing to be desired, not to speak of the psychic epidemics of our time before which the witch-hunts of the sixteenth century pale by comparison. (C.G. Jung pg 155 Symbols In Transformation)
Comment: The nexus of racism and fear is obviously very deadly. Equipping law enforcement with inappropriate surplus military equipment is insanity. As Dr. Jung stated, “If you put enough bombs all in one place, they will go off by themselves.”
|1033 procurements are not matters of public record. And the Defense Logistics Agency (DLA), which coordinates distribution of military surplus, refuses to reveal the names of agencies requesting “tactical” items, like assault rifles and MRAPs — for security reasons, a spokesperson for DLA told Newsweek via email.
Police in Watertown, Connecticut, (population 22,514) recently acquired a mine-resistant, ambush-protected (MRAP) vehicle (sticker price: $733,000), designed to protect soldiers from roadside bombs, for $2,800. There has never been a landmine reported in Watertown, Connecticut.|
Comment: the police work for the citizenry except in police states.
| In June, the American Civil Liberties Union (ACLU) brought more attention to police militarization when it issued a comprehensive, nearly 100-page report titled, War Comes Home: The Excessive Militarization of American Policing (pdf). Based on public records requests to more than 260 law enforcement agencies in 26 states, the ACLU concluded that this police militarization “unfairly impacts people of color and undermines individual liberties, and it has been allowed to happen in the absence of any meaningful public discussion.” |
Comment: plus, follow the money.
| “Bring it. You fucking animals, bring it,” one police officer was caught on video telling protesters. In Ferguson and beyond, it seems that some police officers have shed the blue uniform and have put on the uniform and gear of the military, bringing the attitude along with it.Read more-businessinsider |
| These heavily armed men are part of a more recent tradition: the militarization of American police. They are, like domestic surveillance, weapons built to fight a faraway war turned homeward. Hands-up is how black people survive nonviolent protest in the era of what author Radley Balko calls the “warrior cop.”
According to the American Civil Liberties Union, the Department of Defense has transferred $4.3 billion in military equipment to local and state police through the 1033 program, first enacted in 1996 at the height of the so-called War on Drugs. The Department of Justice, according to the ACLU, “plays an important role in the militarization of the police” through its grant programs. It’s not that individual police officers are bad people – it’s that shifts in the American culture of policing encourages officers to ”think of the people they serve as enemies.”
Since 2001, the Department of Homeland Security has encouraged further militarization of police through federal funds for “terrorism prevention.” The armored vehicles, assault weapons, and body armor borne by the police in Ferguson are the fruit of turning police into soldiers. |
This past Sunday we had our first turnout that was so copious I had to institute the rotation rule: when a team’s numbers exceed eleven, players must sit an inning out to insure only eleven are on the field at once. (Related to this is the rule that requires of unequal numbers to field the same number of players in the field.) This an example of a rule that has come about by a combination of fiat and informal discussion, which is to say we discussed several seasons ago the imposition of the rule by my fiat. Usually the extra players are absorbed in the outfield, giving the defense five outfielders. It’s crowded out there!
When we have more than the standard number of players–to me, it’s nine players–devising equitable distributions of players is easier. Well, I tell this to myself because I suppose that greater numbers smooth out the aggregate regressions of player performance. I do not know if this folk supposition is actually correct, but I do know we had our second one run game in a row!
Nora Bateson’s soulful approach to her father’s work, to his way of understanding, strikes me as being beautifully personal, ingratiating, and, most crucially, precisely formulated so as to provide a warm introductory gateway to his legacy.
The following videos help frame her brilliant film about her father, An Ecology of Mind. The interviewers are different, and there is some repetition, yet Ms. Bateson is so much deeply her father’s daughter that I find her views enchanting.
The point of the probe is always in the heart of the explorer. (Gregory Bateson)
According to the popular image of science, everything is, in principle, predictable and controllable; and if some event or process is not predictable and controllable in the present state of your knowledge, a little more knowledge and, especially, a little more know-how will enable us to predict and control the wild variables.
This view is wrong, not merely in detail, but in principle. It is even possible to define large classes or phenomena where prediction and control are simply impossible for very basic but quite understandable reasons. Perhaps the most familiar example of this class of phenomena is the breaking of any superficially homogeneous material, such as glass. The Brownian movement (see Glossary) of molecules in liquids and gases is similarly unpredictable.
If I throw a stone at a glass window, I shall, under appropriate circumstances, break of crack the glass in a star-shaped pattern. If my stone hits the glass as fast as a bullet, it is possible that it will detach from the glass a neat conical plug called a conic of percussion. If my stone is too slow and too small, I may fail to break the glass at all. Prediction and control will be quite possible at this level. I can easily make sure which of three results (the star, the percussion cone, or no breakage) I shall achieve, provided I avoid marginal strengths of throw.
But within the conditions which produce the star-shaped break, it will be impossible to predict or control the pathways and the positions of the arms of the stars.
Curiously enough, the more precise my laboratory methods, the more unpredictable the events will become. If I use the most homogeneous glass available, polish its surface to the most exact optical flatness, and control the motion of my stone as precisely as possible, ensuring an almost precisely vertical impact on the surface of the glass, all my efforts will only make the events more impossible to predict.
If, on the other hand, I scratch the surface of the glass or use a piece of glass that is already cracked (which would be cheating), I shall be able to make some approximate predictions. For some reason (unknown to me), the break in the glass will run parallel to the scratch and about 1/100 of an inch to the side, so that the scratch mark will appear on only one side of the break. Beyond the end of the scratch, the break will veer off unpredictably.
Under tension, a chain will break at its weakest link. That much is predictable. What is difficult is to identify the weakest link before it breaks. The generic we can know, but the specific eludes us. Some chains are designed to break at a certain tension and at a certain link. But a good chain is homogeneous, and no prediction is possible. And because we cannot know which link is weakest, we cannot know precisely how much tension will be needed to break the chain.
6. Divergent Sequences Are Unpredictable
II Every School Boy Knows
Mind & Nature (Gregory Bateson)
Any form of certainty we find along the way is probably transitional. (Nora Bateson)
There once lived a great warrior. Though quite old, he still was able to defeat any challenger. His reputation extended far and wide throughout the land and many students gathered to study under him.
One day an infamous young warrior arrived at the village. He was determined to be the first man to defeat the great master. Along with his strength, he had an uncanny ability to spot and exploit any weakness in an opponent. He would wait for his opponent to make the first move, thus revealing a weakness, and then would strike with merciless force and lightning speed. No one had ever lasted with him in a match beyond the first move.
Much against the advice of his concerned students, the old master gladly accepted the young warrior’s challenge. As the two squared off for battle, the young warrior began to hurl insults at the old master. He threw dirt and spit in his face. For hours he verbally assaulted him with every curse and insult known to mankind. But the old warrior merely stood there motionless and calm. Finally, the young warrior exhausted himself. Knowing he was defeated, he left feeling shamed.
Somewhat disappointed that he did not fight the insolent youth, the students gathered around the old master and questioned him. “How could you endure such an indignity? How did you drive him away?”
“If someone comes to give you a gift and you do not receive it,” the master replied, “to whom does the gift belong?”
“The judgment of the intellect is, at best, only the half of truth, and must, if it be honest, also come to an understanding of its inadequacy. The dynamic principle of fantasy is play, a characteristic also of the child, and as such it appears inconsistent with the principle of serious work. But without this playing with fantasy no creative work has ever yet come to birth. The debt we owe to the play of imagination is incalculable. It is therefore short-sighted to treat fantasy, on account of its risky or unacceptable nature, as a thing of little worth.” The Psychology of Individuation, CG Jung
If, during the long course of ages and under varying conditions of life, organic beings vary at all in the several parts of their organization, and I think this cannot be disputed; if there be, owing to the high geometric powers of increase of each species, at some age, season or year, a severe struggle for life, and this certainly cannot be disputed; then, considering the infinite complexity of the relations of all organic beings to each other and to their conditions of existence, causing an infinite variety in structure, constitution, and habits, to be advantageous to them, I think it would be a most extraordinary fact if no variation ever had occurred useful to each being’s own welfare, in the same way as so many variations have occurred useful to man. But if variations useful to any organic being do occur, assuredly individuals thus characterized will have the best chance of being preserved in the struggle for life; and from the strong principle of inheritance they will tend to produce offspring similarly characterized. This principle of preservation, I have called, for the sake of brevity, Natural Selection. [Charles Darwin (1859) On the Origin of Species]
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“It is essential to such a government, that it be derived from the great body of the society, not from an inconsiderable proportion, or a favored class of it; otherwise a handful of tyrannical nobles, exercising their oppressions by a delegation of their powers, might aspire to the rank of republicans, and claim for their government the honorable title of republic.” James Madison
All the property that is necessary to a Man, for the Conservation of the Individual and the Propagation of the Species, is his natural Right, which none can justly deprive him of: But all Property superfluous to such purposes is the Property of the Publick, who, by their Laws, have created it, and who may therefore by other laws dispose of it, whenever the Welfare of the Publick shall demand such Disposition. He that does not like civil Society on these Terms, let him retire and live among Savages. He can have no right to the benefits of Society, who will not pay his Club towards the Support of it. -Benjamin Franklin
It's hard for the average person to understand why anyone wouldn't want to be immortal. Immortality has been a fruitful lens for fiction to examine the human condition. But sometimes there are immortals who completely fail to get the horror of immortality across. Instead, you can't help but think you'd do better. Here are ten […]
There's so much sadness in this story: Nicole Yvette Brown has announced that she will not be joining the show on Yahoo! in order to take care of her ailing father. That's just heartbreaking on every level.Read more...
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And they're adorable. This is it, right? This is how the robot apocalypse happens: With a vanguard of cheerleaders doing synchronized routines with color-changing pom poms. We'll be too distracted when the overlords follow.Read more...
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