All All There

[flashvideo file=http://www.squareone-learning.com/video/FreePlay.flv /]

Dave says to me after the game,

It was all there. What a great game.

I affirm this,

Yup.

Actually, whatever “it” is, my guess “it” is all there every weekend, in the Free Play softball game. Except, to say this is just to flash the glib idea that the necessary social, affectual, situational, structural, phenomenal elements are always placed, found in their place, in every outing.

No, as much as this is true, what really is the case is that we together build something on the order of a ‘production,’ every week. Like a musical or dramatic production, our production every week is utterly distinct, unique. Some of our softball symphonies are truly evocative and moving, while other times the production is much less so. Hey, from my odd perspective, our games are never lame, and are always interesting.

(What’s lame? My deteriorating skills!)

The relationship between common and necessary global features with the never predictable or necessary local elements is what frames a view of: the complexity-of-enactment elicited by the simplicity-of-genre. (I just cracked myself up.) It’s very creative, when you come down to differentiating the structure from the how-and-happenstance, and, by definition, its integrity within the complex humanity of the players.

Hey, kind o’ like music.

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