(The above picture is my own assembly; and it is not a picture of an actual installation. It aims to show the scale of the two pieces.)
Two of my procedural pieces were invited to, and now are placed, in the May 6 Auction of Modern and Contemporary Art, presented by Gray’s Auctioneers, Cleveland’s principal international auction house. The auction preview and virtual bidding phase began April 6.
Come to the Mardi Gras (40w x 58h”) -2014- Lot 103
Mythic Figure (32w x 48h”) -2013- Lot 104
Among several distinctive modal differences of the digital realm, this difference between the scale of the original computer file and workspace and the final formatted production piece presents challenges. My current pieces are, with respect to this, built to be large, with a minimum of 36-44 inches on the shorter side. The original printable proof in its initial digital stage, prior to dimensional enlargement, is sized to the longer side at 11 to 19 inches.
Although my display and proofing environment is calibrated to unity, the display size is maxed out at roughly one foot on the longest possible side on the dispaly (screen.) This means I’ve had to develop the ability to translate the feel of this screen into a vision of the final physical piece. In working to finalize large pieces, this means I am working on images that are not ever greater than 20% of the size of the finished, large piece.
My recent work is all about the grabbing the viewer and bringing the viewer into the image. I have lots of ways of describing this objective, but the simplest appeal my work makes is concerned with the truth of the viewer’s imaginative experience of the piece rather concerned with the transmission of an aesthetic or programmatic value.
I’ve been working diligently and tenaciously on pieces with this experiential goal in mind, and, to support it, I’m making the pieces really large, large enough to take over a wall, and, to take people on a trip of their own devising.
Sun Ra In Heaven (2015) 44 x 66″