Dec.12-2014 Program: Analytical Psychology Society of Western NY, Repairing the Opposites, Doubling Stars, Turning Swine Into Pears - myself, with Kenneth Warren
- A Debacle
- Sam Harris Solves the Problem of Islamic Faith
- Cat Vision
- Deeply 80th Birthday Abdullah Ibrahim
- Relishing the Friend
- Loosing My Cool in the Cool
- The Pen
- Titanic Ambitions
- Generative Alchemy
- Nice Guys Finish
- Around and Round, and Never Off the Surface
- Between Heaven and Hell
- Imaginal Cybernetics, the Demonic Daemon, Deep Play
- Creative Workflow – Cat Trying to Swallow Its Own Tail
- “The judgment of the intellect is, at best, only the half of truth, and must, if it be honest, also come to an understanding of its inadequacy. The dynamic principle of fantasy is play, a characteristic also of the child, and as such it appears inconsistent with the principle of serious work. But without this playing with fantasy no creative work has ever yet come to birth. The debt we owe to the play of imagination is incalculable. It is therefore short-sighted to treat fantasy, on account of its risky or unacceptable nature, as a thing of little worth.” The Psychology of Individuation, CG Jung
- Generative Alchemy
- Inside the Psychologist’s Studio With Albert Bandura
- Roots of My Urbanology (II.)
- Leave-taking is as necessary as the homecoming (I.)
- Nothing that might not happen in a universe of fortuity
Tagsa-ha! adult learning analytic psychology anthropology art biology buddhism charlatanry cognitive psychology consciousness critical culture critical thinking culture current events economics education experiential learning Freeplay Softball Gregory Bateson humor management music my casual art new paradigms organizational development phenomenology philosophy poetry politics pseudo-science psychology quotes religion resources Rumi science social psychology speculations sports sufism teaching cartoons teaching story transformative learning urbanology web media
- "It requires a very unusual mind to undertake the analysis of the obvious." - Alfred North Whitehead
- More email newsletters July 2, 2014
- new language annotation software June 25, 2014
- Software, Culture, and Political Economy in New Media Capitalism June 25, 2014
- ye olde net… June 25, 2014
- re the big data explosion June 10, 2014
Cleveland Heights, Ohio
- If, during the long course of ages and under varying conditions of life, organic beings vary at all in the several parts of their organization, and I think this cannot be disputed; if there be, owing to the high geometric powers of increase of each species, at some age, season or year, a severe struggle for life, and this certainly cannot be disputed; then, considering the infinite complexity of the relations of all organic beings to each other and to their conditions of existence, causing an infinite variety in structure, constitution, and habits, to be advantageous to them, I think it would be a most extraordinary fact if no variation ever had occurred useful to each being’s own welfare, in the same way as so many variations have occurred useful to man. But if variations useful to any organic being do occur, assuredly individuals thus characterized will have the best chance of being preserved in the struggle for life; and from the strong principle of inheritance they will tend to produce offspring similarly characterized. This principle of preservation, I have called, for the sake of brevity, Natural Selection. [Charles Darwin (1859) On the Origin of Species]
- “It is essential to such a government, that it be derived from the great body of the society, not from an inconsiderable proportion, or a favored class of it; otherwise a handful of tyrannical nobles, exercising their oppressions by a delegation of their powers, might aspire to the rank of republicans, and claim for their government the honorable title of republic.” James Madison
- All the property that is necessary to a Man, for the Conservation of the Individual and the Propagation of the Species, is his natural Right, which none can justly deprive him of: But all Property superfluous to such purposes is the Property of the Publick, who, by their Laws, have created it, and who may therefore by other laws dispose of it, whenever the Welfare of the Publick shall demand such Disposition. He that does not like civil Society on these Terms, let him retire and live among Savages. He can have no right to the benefits of Society, who will not pay his Club towards the Support of it. -Benjamin Franklin
Thinking Outside the Agora
- "Kung Fu" Stegosaurus Had Deadly Fighting Moves October 24, 2014Stegosaurus are often portrayed as lumbering plant eaters. But they were lethal fighters when necessary, according to paleontologists who recently uncovered evidence of a carnivorous Allosaurus who was mortally wounded in combat, 147 million years ago.Read more...
- Deadspin Notre Dame WR Takes Cute Selfie In Bed With Porn Star Lisa Ann | Gawker Lena Dunham's Race October 24, 2014Deadspin Notre Dame WR Takes Cute Selfie In Bed With Porn Star Lisa Ann | Gawker Lena Dunham's Race Problem | Gizmodo Why You Shouldn't Freak Out About Ebola in NYC | Lifehacker This Chart Shows the States Where Your Salary Will Go Further Read more...
- Dolores Umbridge Returns In A New Harry Potter Halloween Story October 24, 2014Looks like J.K. Rowling is planning on giving everyone a treat this Halloween. The author has announced on Pottermore.com that she will release a new short story that will detail the life of everyone's least favorite Hogwarts teacher, Dolores Umbridge.Read more...
- How Close Are We to a Quicksilver Film? And More Age of Ultron Details! October 24, 2014James Spader explains why Ultron's humor is what attracted him to the part. Ridley Scott's The Martian is attracting the best cast we've seen in a while. Adam McKay's itching to return to the Marvel universe. Check out a FitzSimmons-heavy Agents of SHIELD clip. Plus possible details about Universal's new Mummy film. Spoilers now!Read more...
- I.Q. 83, Arthur Herzog's Ode to the Stupidity Plague, Will Be a Movie October 24, 2014It's taken 20 years to finally get some steam, but Charlie Kaufman's been hired to do an entirely new draft and the plan is for Steve Carell to star. And you have to admit: Carell can totally pull off a man becoming progressively less intelligent. Read more...
- "Kung Fu" Stegosaurus Had Deadly Fighting Moves October 24, 2014
- DiResta: Dracula’s Coffin October 24, 2014
- Makers Against Ebola – Design Goals October 24, 2014
- New Project: Trash Can Trauma October 24, 2014
- The Deconstruction: An Awesome Un-Competition October 24, 2014
- New Project: White Chocolate Skulls Cast in 3D Printed Molds October 24, 2014
Author Archives: Stephen Calhoun
After two one run games the two Sundays, games in which the visitors prevented the home team from scoring any runs in the bottom of the seventh, the visitors were crushed. As handicapper, two complaints were directed at me, one having to do with not spreading out the weaker players, and, the other with stopping the game “arbitrarily.”
(No comment. Oh, wait, I went one-for-six playing for the winning team, so there sure was a weak player on the home team!)
This is my favorite cartoon from B.Kliban’s iconic book from 1975, Cats.
From Why Cats Paint.
Great book that is half tongue-in-cheek, and, half a showcase for spontaneous cat painting.
Advise: click on the start triangle above for your momentary soundtrack. Thank you.
I wrote this fifteen years ago.
For over forty years people all over the world have received and been touched by the artistry and music of Dr. Abdullah Ibrahim. Not to stop there, however; the multitude of musical gifts of the African tradition, and, more generally, the gifts of the deeply abiding traditions of peoples’ musics and arts, are vital harmonizing mediums for the sensitive souls of people. Many people allow the artistry of such providers of joyful nutrition to make an essential, sympathetic impression on their own life and creative work.
Here’s a curious thought. In the past year I have been reflecting upon and gathering impressions having to do with, first, my being subjected to experiential learning, and, secondly, coming to understand how it is framed as a modality of constructive transformation in the West.
What I was subjected to for several years was not Western, but it was presumably outfitted for me, the American. Then, under the tutelage and mentorship of Judith Buerkel (1996,) and soon enough, after gaining some knowledge and understanding of the field, I began to reckon with the overlap between applications, learnings, and the means given by, in effect, Western psychology, to understand what it is for a person to experientially learn.
For example, there is some overlap of western theory with this thought:
“Inspiration is a stream of wonder and bewilderment. Music should be healing, music should uplift the soul, music should inspire. The thought attached to things is a life power. In order to define it, it may be called a vibratory power. There is a thought attached to all things made either by an individual or the multitude, and that thought will give results accordingly. The influence put into things is according to the intensity of the feeling, as a note resounds according to the intensity with which you strike it. So it is according to the medium that you take in striking vibrations that the effect is made. In all things there is God, but the object is the instrument, and man is life itself. Into the object a person puts life. When a certain thing is made, it is at that time that life is put into it which goes on and on like breath in a body.” Pir Hazrat Inayat Khan
At the same time, for me, there is a very large non-overlapping area. Question: what has music meant for you?
Abdullah Ibrahim reached 80 today. One thing hasn’t changed over the years, A.I. remains 241 months older than me per the way the calendar differentiates the distinction. Otherwise, comparably, I am a child. When I think of Ibrahim I think secondly of his music, and, firstly of his several lessons. One lesson: everything is always completely at stake.
(A sufi once, with nothing on his mind, was – without warning – struck at from behind. He turned and murmured, choking back the tears: “The man you hit has been dead for thirty years. He’s left this world!” The man who’d struck him said: “You talk a lot for someone who is dead! But talk’s not action – while you boast, you stray Further and further from the secret Way, And while a hair of you remains, your heart And Truth are still a hundred worlds apart.” Burn all you have, all that you thought and knew (Even your shroud must go; let that burn too); Then leap into the flames, and as you burn Your pride will falter, you’ll begin to learn. But keep one needle back and you will meet A hundred thieves who force you to retreat Think of that tiny needle which became The negligible cause of Jesus’ shame). As you approach this stage’s final veil, Kingdoms and wealth, substance and water fail; Withdraw into yourself, and one by one Give up the things you own – when this is done, Be still in selflessness and pass beyond All thoughts of good and evil; break this bond, And as it shatters you are worthy of Oblivion, the Nothingness of love.)
Lie down beside the flowing stream
and see Life passing by and know
That of the world’s transient nature
this one sign is enough for us
It’s a very hard lesson.
Over on the nogutsnoglory blog I am celebrating the artistry and ongoing vitality of Abdullah Ibrahim with a series of posts, all of which are restorations of archival posts from the defunct Mantra Modes blog. Should you begin with the first post from today MAGIC EIGHTY and work your way through to the last post, you will end up at the gateway of the opportunity to engage Abdullah Ibrahim’s musical artistry. Of course, this is possible only if you haven’t already engaged his artistry. Everybody with a sensitive soul would do well to engage his artistry.
I’ve provided an initial opportunity at the head of this post. Dr. Ibrahim is arguably among the the deepest musicians that the continent of Africa has so far produced. (The continent of Africa has been producing sonically creative persons for tens of thousands of years. Music was likely born in the Kalahari.) His ongoing international career began in 1964. Happy fiftieth birthday too!
As he told me, in the olden times, in the African village, children of exceptional musical talent became healers.
Ah! Death! Life! Our communication is on a completely different level. See, if we talk about music (Ibrahim plays a few notes on the piano), we are dealing with the unseen. We are fortunate that in Africa we have old people who understand the dynamic of the unseen. We study with them. Music is dealing in the realm of the unseen. It is much deeper as people think when they “see us play some notes”. It is a deeply spiritual practice. But look at jazz musicians now, everything in modern society is misplaced. I mean you are interviewing me with a tape recorder. Now, that is misplaced – not that I want to put you down – but you are supposed to use other means of communication. In some ways this is stupid. It is the same with musicians, we are supposed to be entertainers, but in traditional societies we were priests. In any traditional societiy, anybody that shows musical implanation was immediately drafted into medicine. My great grandfather was a healer. He tought us everything about herbs, plants and flowers and what you are supposed to do wit them. We as musicians living in this modern urban society … All my family were religious practioners. They came from traditional practice and when the white people came they went into the church. I was the first one that became a musician and became muslim. It has all to do with healing and spiritual practices. (interview with Abdullah Ibrahim)
(2001) Abdullah Ibrahim, born in South Africa in 1934, remembering hearing traditional African songs, religious music and jazz as a child – all of which are reflected in his music. He received his first piano lessons in 1941 and became a professional musician in 1949 (Tuxedo Slickers, Willie Max Big Band). In 1959 he met alto saxophone player Kippi Moeketsi who convinced him to devote his life to music. He meets and soon marries South African jazz vocalist Sathima Bea Benjamin in 1965.
In 1962 the Dollar Brand Trio (with Johnny Gertze on bass, Makaya Ntshoko on drums) tours Europe. Duke Ellington listens in at Zurich’s Africana Club and sets a recording session for Reprise Records: Duke Ellington presents the Dollar Brand Trio. 1963/64 sees the trio at major European festivals, including TV shows and radio performances.
In 1965 Dollar Brand plays the Newport Jazz Festival followed by a first tour through the United States. In 1966 he leads the Duke Ellington Orchestra: ›I did five dates substituting for him. It was exciting, but very scary, I could hardly play.‹ Other than six months playing with the Elvin Jones Quartet Abdullah Ibrahim (who changed his name after his conversion to Islam in the late 1960s) has been a band leader ever since. 1968 sees a solo piano tour. From then on he has continuously playing concerts and clubs throughout the US, Europe and Japan with appearances at the major music festivals of the world (e.g. Montreux, North Sea, Berlin, Paris, Montreal etc.). A world traveller since 1962, Ibrahim went back to South Africa in the mid- 1970s but found conditions so oppressive that he went back to New York in 1976.
In 1988 Ibrahim wrote the award-winning sound track for the film ›Chocolat‹ (released on ENJ-50732 ›Mindif‹) which was followed by further endeavors in film music the latest being the sound track to ›No Fear, No Die‹ (TIP-888815 2).
An eloquent spokesman and deeply religious, Abdullah Ibrahim’s beliefs and experiences are reflected in his music. ›The recent changes in South Africa are of course very welcome, it has been so long in coming. We would like a total dismantling of apartheid and the adoption of a democratic non-racist society: it seems to be on the way.‹ In 1990, Ibrahim returned to South Africa to live there but keeps up his New York residence as well. Several tours took him around the globe featuring his groups and also doing much acclaimed solo piano recitals. 1997 saw the beginning of a duet cooperation with the dean of jazz drums, Max Roach.
Later projects (1997 and 1998) are of a large scale nature. Swiss composer Daniel Schnyder arranged Abdullah Ibrahim’s compositions for a 22 piece string orchestra (members of the Youth Orchestra of the European Community) for a CD recording and a Swiss Television SF-DRS production and also for the full size Munich Radio Philharmonic Orchestra again for CD production and for concert performances featuring the Abdullah Ibrahim Trio.
The world premiere of the symphonic piece was at the renowned Herkules Saal in Munich, Germany on January 18th 1998, under the direction of Barbara Yahr and the Zuricher Kammerorchester premiered the string orchestra version at Zurich’s Tonhalle in February 1998. The string orchestra version was released in September 1998 (›African Suite‹, TIP-8888322) and met widest critical acclaim from the worlds of both jazz and classical music. The symphonic version (›African Symphony‹) has been released in 2001 in a double CD set which also features Abdullah Ibrahim with the NDR Big Band giving the full scope of his large format music.
Another highlight was the premiere of ›Cape Town Traveller‹, a multimedia produc- tion at the Leipzig music festival in 1999. A one hour performance featured A.I. and the Ekaya Sextet, a vocal group, filmmaterial from the early days in South Africa and the European years, electronic sounds ranging from impressionism to drum and bass – a great experience. One of the newest albums is ›Revesited‹ (TIP-88888362), recorded live in Cape Town. The piano of A.I. is featured with Marcus McLaurine (b) and Georg Gray (dr) and added is the fiery trumpet of South African Feya Faku on several tracks.
A great honor has been bestowed on Abdullah Ibrahim when the renowned Greham College in London invited him to give several lectures and concerts (beginning in October 2000 at Canary Wharf). Among his predecessors at the famed institution which looks back at a history of 500 years are John Cage, Luciano Berio, Xenakis. (from the press kit for Abdullah Ibrahim, A Struggle for Love, A film by Ciro Cappellari)
Rumi: “ The cup wants to be lifted and used, not broken but carried carefully to the next. The cup knows there is a state for you beyond this one that comes with more vast awareness. The cup looks still but acts in secret to help. Sometimes you pour cup to cup, nothing happens. Pour instead into your deep ocean self, without calculation. If eyesight blurs, use a railing to follow.”
So another way that we limit ourselves or contain ourselves, is through being useful. It’s another way that we keep our rim dry, to take a utilitarian view of the spiritual life, when what we’re really trying to do is way beyond any kind of usefulness in the ordinary sense of the word. So Bhante talks about this in ‘Wisdom Beyond Words’ as the greater mandala. And it’s really, I means it’s just pure genius this chapter on the greater mandala which some people don’t know about, I think. So if you’re interested do look that up.
So he talks about this greater mandala, and he says that the Bodhisattva operates within this greater mandala. It’s a mandala of relishing, of enjoying, of taking delight, it’s a mandala of aesthetic appreciation.
Vajradarshini: “Kavyasiddhi what are you doing today?”
Kavyasiddhi: “Well Vajradarshini I’m mainly just relishing people, taking delight, and enjoying what arises, within that I will be, you know, earning money, washing my clothes, having a run, but that’s by the by really.”
excerpted from the excellent essay, We Have A Huge Barrel of Wine But No Cups by Vajradarshini Audio Available at: http://www.freebuddhistaudio.com/talks/details?num=OM779
As Free Play Softball winds its season down, our ability to extend the season is based in individual players being motivated enough to come out in the cooler weather. On Sunday it was right around 50 degrees at game time. We’ve played in much colder weather. Otherwise the conditions were crisp: sunny with scattered clouds, lots of Canadian geese poop, and a mild breeze blowing straight out to center field. This Sunday wasn’t a test of motivation. That will come soon enough.
As I’ve mentioned before, with turnouts of 11-14 players, we cut the outfield in half and outfit teams defensively with one less outfielder and one less infielder. The biggest individual impact is on the few players like me who tend to hit between left and right center. The biggest impact of the reduced numbers for making out the line-ups, chosen by me the so-called handicapper, is that deviations from mean–typical–performance are more likely to be amplified rather than smoothed. There’s a big difference between full teams of ten each and smaller line-ups of six each.
Sunday’s game did achieve the holy grail of handicapping: a one run game in favor of the visiting team. On the other hand, for me, it showcased my brief melt down when my team’s pitcher threw a pitch before his outfield was set. I was walking toward my spot when the balled arced ten feet from my path. This frustrated me greatly because I am so slow that I need the advantage of starting out in left field in the proper position, given the batter. I yelled profanely at my team mate.
Maybe it was just in a minor way that this same pitcher obtained two outs with the winning run at second base in the last frame of the game. It was a splendid performance in that he retired the two most bruising hitters in the line-up.
The Pen – 12×12″ – from a photograph – S.Calhoun
Although it is evidently visible yet there is no one there who sees it. Amazing!
Even though it exists in everyone everywhere yet it has gone unrecognized. Amazing!
Nevertheless, you hope to obtain some other fruit than this elsewhere. Amazing!
Even though it exists within yourself and nowhere else yet you seek for it elsewhere. Amazing!
Taraka timiram dipo
Supinam vidyud abhram ca
Evam drastavyam samskrtam.
As stars, a fault of vision, as a lamp,
A mock show, dew drops, or a bubble,
A dream, a lightning flash, or cloud,
So should one view what is conditioned.
(from The Diamond Sutra)
. . .which reminds me of one of my most favorite, top ten, movies, Werner Herzog’s The White Diamond. “The White Diamond tells the life English engineer Graham Dorrington, who built a small helium powered zeppelin to fly over the jungle of British Guyana and fulfill his desire to soar through the air.”
It’s about the “situations humans get themselves into.”
Taste and get the DVD from your library.
“Children who are respected learn respect. Children who are cared for learn to care for those weaker than themselves. Children who are loved for what they are cannot learn intolerance. In an environment such as this, they will develop their own ideals, which can be nothing other than humane, since they grew out of the experience of love.” – Alice Miller
The Spruce Goose.The Hercules was a monumental undertaking. It is the largest aircraft ever built. It is over five stories tall with a wingspan longer than a football field. That’s more than a city block. On 2 November 1947, a series of taxi tests was begun with Hughes at the controls. His crew included Dave Grant as co-pilot, and a crew of two flight engineers, 16 mechanics and two other flight crew. In addition, the H-4 carried seven invited guests from the press corps plus an additional seven industry representatives, for a total of 32 on board.
After the first two uneventful taxi runs, four reporters left to file stories but the remaining press stayed for the final test run of the day. After picking up speed on the channel facing Cabrillo Beach near Long Beach, the Hercules lifted off, remaining airborne 70 feet (21 m) off the water at a speed of 135 mph (217 km/h or 117 knots) for around a mile (1.6 km). At this altitude, the aircraft was still experiencing ground effect.
Hughes had answered his critics and the hearings ended. The aircraft never flew again. It was carefully maintained in flying condition until Hughes’ death in 1976.
Brueghel: The Alchemist
This piece is part of a large series that will likely be presented in a short film. The film is intended to show the interplay of manipulations and recursions involved in generating different pieces.
I dedicate this new series to Ms. Uidhi. (I may be one of a handful of artists, or pseudo-artists, focusing on creative luckiness in the context of a post-academic post-scholarly focus on the situation of serendipity in adult development. This could include meandering into philosophical swamps.
IP LAF Forum: Christy Mag Uidhi on Artistic Serendipity vs. Artistic Luck, 25 Sept
Tuesday 23 September 2014
INSTITUTE OF PHILOSOPHY
Thurs 25 September 2014, 4.00pm
IP London Aesthetics Forum: Room G34, Senate House, WC1
Artistic Serendipity vs. Artistic Luck
Christy Mag Uidhi (Houston)
Supported by the British Society of Aesthetics
It is standardly thought that artworks may gain and lose art-relevant properties over time (and thereby may also admit of similar gains and losses in artistic value). From this it follows that insofar as such gains and losses may be well outside the control of the artist, we ought to expect any minimally adequate theory of art and its value as such to come with (or at least be amenable to) some minimal notion of artistic luck and artistic achievement (such that ascriptions of the one undermine ascriptions of the other). In this talk, I’ll sketch what I take to be uncontroversial minimal accounts of both artistic luck and artistic achievement. From these I show it to follow that if artworks must be products of intentional action, then there can be no such thing as artistic luck (either descriptively or evaluatively). I claim the only formative role luck might play in our understanding of art and its value as such is to provide the means by which we may productively carve out an informative sub-class of artistic achievement: specifically that of artistic serendipity.
[My bold.] Intention, serendipity. Intentional serendipity is pseudo-serendipity. It is a kind of search routine. I don’t subscribe to the idea that intentionality is properly monolithic or exclusionary. But, I concede that psychologizing the artist’s creative process may take my own considerations and sensemaking out of and away from a proper philosophy of aesthetics.
Nor do I know what Ms. Mag Uidhi has in mind to flesh out the intriguing precis.
For my own part, there is so much in my creative process that permits creative intention-up-to-the-point of pulling the curtains away, and, thus includes less discrete combinations of intention and, fundamentally, hope about the unknown!
The Hotheads beat the Coolheads by two runs. The surprisingly small turnouts have been a challenge for the handicapper. The pleasure this fine Sunday morning was a pair of unassisted homeruns from Katz.
Hell, S.Calhoun (2014) symmetry experiment
Heaven and the Garden of Eden, (2014) S.Calhoun, symmetry experiment
Without contraries is no progres-
sion. Attraction and repulsion, rea-
son and energy, love and hate, are
necessary to human existence.
From these contraries spring what
the religious call Good and Evil.
Good is the passive that obeys reason;
Evil is the active springing from
Good is heaven. Evil is hell.
Energy is Eternal Delight.
Those who restrain desire, do so
because theirs is weak enough to be
restrained; and the restrainer or
reason usurps its place and governs
And being restrained, it by degrees
becomes passive, till it is only the
shadow of desire.
The history of this is written in
Paradise Lost, and the Governor or
Reason is called Messiah.
And the original Archangel or pos-
sessor of the command of the heavenly
host is called the Devil, or Satan, and
his children are called Sin and Death.
But in the book of Job, Milton’s
Messiah is called Satan.
For this history has been adopted by
It indeed appeared to Reason as if
desire was cast out, but the Devil’s
account is, that the Messiah fell, and
formed a heaven of what he stole from
This is shown in the Gospel, where
he prays to the Father to send the
Comforter or desire that Reason may
have ideas to build on, the Jehovah
of the Bible being no other than he
who dwells in flaming fire. Know
that after Christ’s death he became
But in Milton, the Father is Destiny,
the Son a ratio of the five senses, and
the Holy Ghost vacuum !
Note. — The reason Milton wrote
in fetters when he wrote of Angels
and God, and at Uberty when of
Devils and Hell, is because he was
a true poet, and of the Devil’s party
without knowing it.
excerpts from William Blake – The Marriage of Heaven and Hell (fulltext)
In zoom mode in Photoshop, while preparing a large new piece to be reduced to a PNG for publishing on the gallery blog, an interesting overall configuration of small details in the edge style of the digital image file.
Because I’m nowadays very sensitive to the level of complexity a possibly worthwhile mirror transformation requires to hopefully capture an intriguing symmetry, I moved around the small scale details looking for a candidate. The first image shows the workflow and the second image above is the detail I discovered.
The result is a symmetry I like. (more I like)
The actual details of the 300dpi original are too small to really see in the 16×10″ proof.
The two hallmarks of my creative ethos and artistic experimentation are: generativity and recursion. I work toward a surprising conclusion by implicating those two procedural factors. In the visual realm the manifestation of both is very clearly exemplified in the above example: the discovery of a small scale within the large scale provides a recursive capture and the mirroring manipulation generates the symmetry. I act as a spotter.
Interestingly, the small scale details result from generative manipulations of the original piece, and the original piece itself is the result of blending two layers both captured in different generative procedures that are keyed by programmed search routines. Those generative instrumentalities, then, represent a recursive routine in their own right.
The final recursion is: this all evokes Gregory Bateson. (see: Peter Harries-Jones: Gregory Bateson, Heterarchies, and the Topology of Recursion. Cybernetics and Human Knowing 12(1-2): 168-174 (2005))
Among Bateson scholars, Peter Harries-Jones (1995) is notable for looking at Gregory’s “ecology of mind” in the context of his mature work, using terms for it associated with that period, “recursive epistemology” or “ecological epistemology.” The processes with which Gregory was concerned were essentially processes of knowing: perception, communication, coding and translation. Ergo epistemology. But basic to this epistemology was the differentiation of logical levels, including the relationship between the knower and the known, ergo a recursive epistemology. Ideally, the relationship between the patterns of the biological world and our understanding of it would be one of congruence, of fit, a broader and more pervasive similarity than the ability to predict in experimental contexts that depend upon simplification and selective attention. It seems useful to refer to Gregory’s ecology of mind as an epistemological ecology to contrast it with the largely materialistic ecology of academic departments. It seems essential to underline that recursiveness is a necessary feature of such an epistemology (and perhaps of every epistemology, since every effort to know about knowing involves the cat trying to swallow its own tail).
Bateson was haunted in his last years by a sense of urgency, a sense that the narrow definition of human purposes, reinforced by technology, would lead to irreversible disasters, and that only a better epistemology could save us. Certainly irreversibilities lie all around us, many, like global warming, the decay of the ozone layer, and the movement of poisons through global food chains, set on courses it is too late to change although we have yet to suffer their full effect. Still, the situation has not worsened as rapidly as he predicted and perhaps he sometimes succumbed to the lure of dramatizing a message in order to get it across in ways that later undermine that message. But the habits of mind that he described can be seen in every newspaper or newscast: the search for short term solutions that worsen the problem over time (often by mirroring it, such as violence used to oppose violence); the focus on individual persons or organisms or even species, seen in isolation; the tendency to let technological possibility or economic indicators replace reflection; the effort to maximize single variables (like profit) rather than optimizing the relationship among a complex set of variables.
Mary Catherine Bateson – new Introduction to Step to An Ecology of Mind by Gregory Bateson, 2000)
One last recursive piece – that can be thought of as recursive in a second order, thus by way of duplication and “re-relation.”
Not all of “it” is here in this trio of cross-commenting images, yet, some of “it” is here.
On the other hand. . .
The disciples were absorbed in a discussion of Lao-tzu’s dictum:
“Those who know do not say; Those who say do not know.”
When the Master entered, they asked him exactly what the words meant.
Said the Master, “Which of you knows the fragrance of a rose?”
All of them knew.
Then he said, “Put it into words.”
All of them were silent.
Timothy Carl Calhoun – Cleveland Poet, philosopher, father – September 2, 1954 – February 24, 1993
Stephen Crespi Calhoun – still unpeeling the layers
As I sd to my
friend, because I am
always talking,–John, I
sd, which was not his
name, the darkness sur-
rounds us, what
can we do against
it, or else, shall we &
why not, buy a goddamn big car,
drive, he sd, for
christ’s sake, look
out where yr going.
I have finally found myself compelled to give up the logic, fairly, squarely, and irrevocably. It has an imperishable use in human life, but that use is not to make us theoretically acquainted with the essential nature of reality. Reality, life, expedience, concreteness, immediacy, use what words you will, exceeds our logic, overflows and surrounds it. -William James
The central teaching of the Karma Kagyu is the doctrine of Mahamudra, also known as the “Great Seal”. This doctrine focuses on four principal stages of meditative practice (the Four Yogas of Mahamudra):
The development of single-pointedness of mind,
The transcendence of all conceptual elaboration,
The cultivation of the perspective that all phenomena are of a “single taste”,
The fruition of the path, which is beyond any contrived acts of meditation.
The “ambiguity” in the sense of the indeterminacy or vagueness that permeates our existence in the world derives from the “ambiguity” of our embodied being in the sense of its irreducibility either to the transparency of self-consciousness or the inertia of matter. – Nabuo Kazashi
Highly recommended: The Social Self in Zen and American Pragmatism. By Steve Odin. (Albany: State University of New York Press, 1996.)
by the same author: Whitehead & Ethics in the Contemporary World (pdf)
Philosophy of Nothingness and Process Theology – Yutaka Tanaka (pdf)
quotes from secondary source:
The Varieties of Pure Experience: William James and Kitaro Nishida on Consciousness and Embodiment
Joel W. Krueger