Category Archives: creative captures

Andy Thomas Closes His Eyes

Nightingale and Canary from Andy Thomas on Vimeo.

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Sweetly Focused Nora Bateson

What a great two minutes!

Nora Bateson’s soulful approach to her father’s work, to his way of understanding, strikes me as being beautifully personal, ingratiating, and, most crucially, precisely formulated so as to provide a warm introductory gateway to his legacy.

The following videos help frame her brilliant film about her father, An Ecology of Mind. The interviewers are different, and there is some repetition, yet Ms. Bateson is so much deeply her father’s daughter that I find her views enchanting.

The point of the probe is always in the heart of the explorer. (Gregory Bateson)

According to the popular image of science, everything is, in principle, predictable and controllable; and if some event or process is not predictable and controllable in the present state of your knowledge, a little more knowledge and, especially, a little more know-how will enable us to predict and control the wild variables.

This view is wrong, not merely in detail, but in principle. It is even possible to define large classes or phenomena where prediction and control are simply impossible for very basic but quite understandable reasons. Perhaps the most familiar example of this class of phenomena is the breaking of any superficially homogeneous material, such as glass. The Brownian movement (see Glossary) of molecules in liquids and gases is similarly unpredictable.

If I throw a stone at a glass window, I shall, under appropriate circumstances, break of crack the glass in a star-shaped pattern. If my stone hits the glass as fast as a bullet, it is possible that it will detach from the glass a neat conical plug called a conic of percussion. If my stone is too slow and too small, I may fail to break the glass at all. Prediction and control will be quite possible at this level. I can easily make sure which of three results (the star, the percussion cone, or no breakage) I shall achieve, provided I avoid marginal strengths of throw.

But within the conditions which produce the star-shaped break, it will be impossible to predict or control the pathways and the positions of the arms of the stars.

Curiously enough, the more precise my laboratory methods, the more unpredictable the events will become. If I use the most homogeneous glass available, polish its surface to the most exact optical flatness, and control the motion of my stone as precisely as possible, ensuring an almost precisely vertical impact on the surface of the glass, all my efforts will only make the events more impossible to predict.

If, on the other hand, I scratch the surface of the glass or use a piece of glass that is already cracked (which would be cheating), I shall be able to make some approximate predictions. For some reason (unknown to me), the break in the glass will run parallel to the scratch and about 1/100 of an inch to the side, so that the scratch mark will appear on only one side of the break. Beyond the end of the scratch, the break will veer off unpredictably.

Under tension, a chain will break at its weakest link. That much is predictable. What is difficult is to identify the weakest link before it breaks. The generic we can know, but the specific eludes us. Some chains are designed to break at a certain tension and at a certain link. But a good chain is homogeneous, and no prediction is possible. And because we cannot know which link is weakest, we cannot know precisely how much tension will be needed to break the chain.

6. Divergent Sequences Are Unpredictable
II Every School Boy Knows
Mind & Nature (Gregory Bateson)

Any form of certainty we find along the way is probably transitional. (Nora Bateson)

Nora Bateson from AURA on Vimeo.

Nora Bateson’s film (Amazon DVD) An Ecology of Mind, A Daughter’s Portrait of Gregory Bateson–it’s wonderful– Web Site | An Ecology of the Mind (on Facebook)

Department of Anthropology Indiana University: Gregory Bateson biography

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Explorer 2

A portrait of Eliane Radigue, produced by the Austrian IMA (Institute for Media Archeology), which observes Eliane in her workspace, operating the ARP and talking about the process of composing and recording.

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Explorer 1

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chaosmosis: the emergence of order from chaos, engendering new autopoietic entities

Aesthetic paradigm
1. In Guattari’s work, as opposed to scientific paradigms, paradigms that are schizoanalytic, rhizomatic, and chaosmic, involving processes rather than structures.

psychoanalysis, which claimed to affirm itself as scientific, [...] has everything to gain from putting itself under the aegis of this new type of aesthetic processual paradigm. [CM 106 CM=Chaosmosis]

2. A schizoanalytic approach to clinical treatment which, instead of describing the psyche in terms of structures or stages, views the production of subjectivity as a creative process.

Grafts of transference [...] [issue] from a creation which itself indicates a kind of aesthetic paradigm. One creates new modalities of subjectivity in the same way that an artist creates new forms from the palette. [CM 7]

3. The creative capacity of chaosmosis, the emergence of order from chaos, engendering new autopoietic entities; this ontological process is exemplified by but not limited to artistic creation.

art [...] engenders unprecedented, unforeseen and unthinkable qualities of being. The decisive threshold constituting this new aesthetic paradigm lies in the aptitude of these processes of creation to auto-affirm themselves as existential nuclei, autopoietic machines. [CM 106; see also 112] – J. W.

The Deleuze and Guattari Dictionary


Tu v dome:
Ladislav Durko – piano
Ali Kobzova – voice, violin
Bronka Schragge – cello
Ozo Guttler – drums
Martin Sutovec – banjo
_______________________________
text original:
The Heart asks Pleasure – first -
And then – Excuse from Pain -
And then – those little Anodyness
That deaden suffering –
And then – to go to sleep –
And then – if it should be
The will of its Inquisitor
The privilege to die –
Emily Dickinson 1830 — 1886

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Cellular Mechanics

h/t CDM/Peter Kirn

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Law And Thrones, Game of Order

Curated GOT parodies from 2013

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Hearsee

“A Vision in a Dream,” (aka “Kubla Khan” by Samuel Taylor Coleridge

In the summer of the year 1797,
the Author, then in ill health,
had retired to a lonely farm-house
between Porlock and Linton,
on the Exmoor confines
of Somerset and Devonshire.

In consequence of a slight indisposition,
an anodyne had been prescribed,
from the effects of which he fell asleep
in his chair at the moment that
he was reading the following sentence,
or words of the same substance,
in Purchas’s Pilgrimage:

A paved road in Exmoor,
near the confines of Somerset and Devonshire,
also travelled by the Person from Porlock
“Here the Khan Kubla commanded
a palace to be built, and
a stately garden thereunto.
And thus ten miles of fertile ground
were inclosed with a wall.”
The Author continued for about
three hours in a profound sleep,
at least of the external senses,
during which time he has
the most vivid confidence,
that he could not have composed less than
from two to three hundred lines;
if that indeed can be called composition
in which all the images rose up before him
as things, with a parallel production of
the correspondent expressions,
without any sensation
or consciousness of effort.

On awakening he appeared to himself
to have a distinct recollection of the whole,
and taking his pen, ink, and paper,
instantly and eagerly wrote down
the lines that are here preserved.

At this moment he was unfortunately
called out by a person on business from Porlock,
and detained by him above an hour,
and on his return to his room, found,
to his no small surprise and mortification,
that though he still retained
some vague and dim recollection
of the general purport of the vision,
yet, with the exception of some eight
or ten scattered lines and images,
all the rest had passed away
like the images on the surface of
a stream into which a stone has
been cast, but, alas! without
the after restoration of the latter!

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musicians with guns – overstepping artifacts

musicians with guns – overstepping artifacts from ricardo montalban on Vimeo.

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Community – tag scene

Current TV season favorites:

1. Justified
2. True Detective (just completed)
3. The Good Wife
4. Community
5. Girls

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Hovering & Echoing

A hovering object that explores and manipulates transitional public spaces with particular acoustic properties. By constantly recording and replaying these ambient sounds, the levitating sphere produces a delayed echo of human activity. Project Page

 

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Awesome Photos from the Library of Congress on Flickr

Richard-Special

Time Machine

LOC-HOE-FLICKR

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Just Go For It

David Shiyang Lius

As a creative person, I decided long ago that I wouldn’t suffer anything for it, except for small frustrations. I am no master and yet this isn’t patently obvious to others. The only mountain created by satisfying my artistic urges is the one that consists of everything I’ve tossed away.

murky catapult
hesitates longingly, monk
hesitates, bawdy

saxophone shakes, bright
ladybug wailing, praying
fearlesslessly nearing*

everypoet-haiku generator

*I changed some of the words.

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THE VOID (trailer)

“THE VOID”
Panoramic interactive projection, 4.0 surround sound

Saint-Petersburg, Russia
Loft Project Etagi gallery
May, 2013
behance.net/gallery/THE-VOID/11871447
Audiovisual installation “Void” is an attempt to visualize the idea of emptiness.
Emptiness here is regarded not as an absence of everything, but as an initial state when anything can appear. To see how dark room turns into the Big Bang epicenter a visitor should become “empty”. Every move and sound, captured by sensitive equipment, stops the 360 degrees audiovisual flow around.
“Void” is a social experiment, to see how long today people can stay totally calm.
Credits:
Visuals/ programming: A. Letcius, A. Sinica, M. Udchenko
Sound/ programming: A. Kochnev, K. Suhanov, S. Perevoschikov

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Mandorla: Trailer

Mandorla – working trailer – CA from Roberto Miller on Vimeo.

Mandorla Movement

>>via Robert Rich Facebook; Robert is doing the music.

comment:

Life is a system of ‘now you see it,’ and ‘now you don’t.” Alan Watts

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23 degrees 5 minutes

23 Degrees 5 Minutes – animated short film from Brown Bag Films on Vimeo.

Irish animation studio Brown Bag Films released its 2011 short 23 Degrees 5 Minutes online today. Based on a story by Austin Kenny, the CG short is directed by Darragh O’Connell, who has been twice nominated for the animated short Oscar for co-directing the films Give Up Yer Aul Sins and Granny O’Grimm’s Sleeping Beauty.

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Hal Lasko, Cleveland Digital Artist

A Nearly Blind 98-Year-Old Man Creates Stunning Digital Magic with MS Paint by Joseph Clark Cleveland Scene

Hal Lasko

Joseph Clark, August 7th

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The Art of Discovery

h/t shortoftheweek

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Social En-Light-enment

via Create Digital Motion Visualism – A new art Form is exemplified in this installation by Jake Snider.

Pixels and vectors aside, visualism is work in light. And so, it’s refreshing to see work as direct and evocative as that sent to CDM by reader Jake Snider. It makes interacting with light the centerpiece of the work. It’s visceral, sensual, and elegant – and keep watching the video above to the very end for a very sweet smooch. (Peter Kirn)

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Google Glass Chamber Music Mix

Alexander Chen

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