Dec.12-2014 Program: Analytical Psychology Society of Western NY, Repairing the Opposites, Doubling Stars, Turning Swine Into Pears - myself, with Kenneth Warren
- Imaginal Cybernetics, the Demonic Daemon, Deep Play
- Creative Workflow – Cat Trying to Swallow Its Own Tail
- Esoteric Intra-Image Dialectic
- Two Teaching Cartoons
- By Nothingness to Nirvana, Beyond Contrivance
- Andy Thomas Closes His Eyes
- In the Whole of the River
- The Catch
- Amusement Park
- Missed-Understood and the Web of Hypotheses
- Inevitable Nexus When Fear Runs the Numbers
- The Smoothing Factor
- Sweetly Focused Nora Bateson
- Teaching Story – The Great Warrior
Connect Megoogle+ Linkedin Facebook Twitter visual experimentation Learning Partner: Experience-based Learning Systems, Inc. Profile academia.edu sound design and music: nogutsnoglorystudios Imaginal Musicology Rhythm River Twitter (Kamelmauz) Recordings Kamelmauz.Bandcamp Dr. Abdullah Ibrahim Mantra Modes (on hiatus)
- “The judgment of the intellect is, at best, only the half of truth, and must, if it be honest, also come to an understanding of its inadequacy. The dynamic principle of fantasy is play, a characteristic also of the child, and as such it appears inconsistent with the principle of serious work. But without this playing with fantasy no creative work has ever yet come to birth. The debt we owe to the play of imagination is incalculable. It is therefore short-sighted to treat fantasy, on account of its risky or unacceptable nature, as a thing of little worth.” The Psychology of Individuation, CG Jung
Tagsa-ha! adult learning analytic psychology anthropology art biology charlatanry cognitive psychology consciousness critical culture critical thinking culture current events economics education experiential learning Freeplay Softball fun as a value Gregory Bateson humor irrationality management music my casual art new paradigms organizational development phenomenology philosophy poetry politics pseudo-science psychology quotes religion resources science social psychology speculations sports sufism teaching cartoons teaching story transformative learning urbanology web media
- "It requires a very unusual mind to undertake the analysis of the obvious." - Alfred North Whitehead
- More email newsletters July 2, 2014
- new language annotation software June 25, 2014
- Software, Culture, and Political Economy in New Media Capitalism June 25, 2014
- ye olde net… June 25, 2014
- re the big data explosion June 10, 2014
Cleveland Heights, Ohio
- If, during the long course of ages and under varying conditions of life, organic beings vary at all in the several parts of their organization, and I think this cannot be disputed; if there be, owing to the high geometric powers of increase of each species, at some age, season or year, a severe struggle for life, and this certainly cannot be disputed; then, considering the infinite complexity of the relations of all organic beings to each other and to their conditions of existence, causing an infinite variety in structure, constitution, and habits, to be advantageous to them, I think it would be a most extraordinary fact if no variation ever had occurred useful to each being’s own welfare, in the same way as so many variations have occurred useful to man. But if variations useful to any organic being do occur, assuredly individuals thus characterized will have the best chance of being preserved in the struggle for life; and from the strong principle of inheritance they will tend to produce offspring similarly characterized. This principle of preservation, I have called, for the sake of brevity, Natural Selection. [Charles Darwin (1859) On the Origin of Species]
- “It is essential to such a government, that it be derived from the great body of the society, not from an inconsiderable proportion, or a favored class of it; otherwise a handful of tyrannical nobles, exercising their oppressions by a delegation of their powers, might aspire to the rank of republicans, and claim for their government the honorable title of republic.” James Madison
- All the property that is necessary to a Man, for the Conservation of the Individual and the Propagation of the Species, is his natural Right, which none can justly deprive him of: But all Property superfluous to such purposes is the Property of the Publick, who, by their Laws, have created it, and who may therefore by other laws dispose of it, whenever the Welfare of the Publick shall demand such Disposition. He that does not like civil Society on these Terms, let him retire and live among Savages. He can have no right to the benefits of Society, who will not pay his Club towards the Support of it. -Benjamin Franklin
Thinking Outside the Agora
- The World Where Everything's an Iceberg: 90% Is Under the Surface September 17, 2014It's a classic camouflage technique: hiding as much as possible where it's unlikely to be seen. And on this planet, it's a strategy that's been adopted by everyone: sea creatures, towns, and individuals. Simple pastoral scenes hide this world's achievements stories below the surface.Read more...
- See Lucy Lawless in Action in the First Two Minutes of Agents of SHIELD September 17, 2014The first two and half minutes of the season two premiere of Agents of SHIELD have been released, and we see a few old faces and are introduced to the skills of Lucy Lawless' Agent Isabelle Hartley and Nick Blood's Lance Hunter. Looks like there are some MacGuffins to find.Read more...
- The World's Saddest Robot Looks For A Friend In Post-Apocalyptic Paris September 17, 2014L30 may be the only sentient robot in Paris—which is doubly sad since nearly all of the creatures in the city have vanished. But when he finally encounters a living being, it turns out that the little robot may not be ready for biological companionship.Read more...
- While watching Alfred Hitchcock, a man who has been in a vegetative state for 16 years exhibited sim September 17, 2014While watching Alfred Hitchcock, a man who has been in a vegetative state for 16 years exhibited similar brain patterns to healthy viewers, including parts of the brain involved in higher cognition and the processing of sensory information. The study "provides the best evidence to date that fMRI can be used to identify consciousness in […]
- You'll Never Understand Under The Dome Without My Help September 17, 2014The pivotal moment in last night's episode of Under the Dome comes halfway through, when Julia Shumway comes and prays to me, the Dome. She doesn't actually get on her knees, which displeases me. But she does beg for one last chance. And then... I look at her, and go "Nah." Read more...
- The World Where Everything's an Iceberg: 90% Is Under the Surface September 17, 2014
- Interview With Made In Space: the 3D Printer For The Space Station September 16, 2014
- Goliath – The Gas Powered Quadcopter September 16, 2014
- New Project: Light Doorbell September 16, 2014
- Functional Printing: James M Bryant Edition September 16, 2014
- PSA: Getting to World Maker Faire September 16, 2014
Category Archives: creative captures
What a great two minutes!
Nora Bateson’s soulful approach to her father’s work, to his way of understanding, strikes me as being beautifully personal, ingratiating, and, most crucially, precisely formulated so as to provide a warm introductory gateway to his legacy.
The following videos help frame her brilliant film about her father, An Ecology of Mind. The interviewers are different, and there is some repetition, yet Ms. Bateson is so much deeply her father’s daughter that I find her views enchanting.
The point of the probe is always in the heart of the explorer. (Gregory Bateson)
According to the popular image of science, everything is, in principle, predictable and controllable; and if some event or process is not predictable and controllable in the present state of your knowledge, a little more knowledge and, especially, a little more know-how will enable us to predict and control the wild variables.
This view is wrong, not merely in detail, but in principle. It is even possible to define large classes or phenomena where prediction and control are simply impossible for very basic but quite understandable reasons. Perhaps the most familiar example of this class of phenomena is the breaking of any superficially homogeneous material, such as glass. The Brownian movement (see Glossary) of molecules in liquids and gases is similarly unpredictable.
If I throw a stone at a glass window, I shall, under appropriate circumstances, break of crack the glass in a star-shaped pattern. If my stone hits the glass as fast as a bullet, it is possible that it will detach from the glass a neat conical plug called a conic of percussion. If my stone is too slow and too small, I may fail to break the glass at all. Prediction and control will be quite possible at this level. I can easily make sure which of three results (the star, the percussion cone, or no breakage) I shall achieve, provided I avoid marginal strengths of throw.
But within the conditions which produce the star-shaped break, it will be impossible to predict or control the pathways and the positions of the arms of the stars.
Curiously enough, the more precise my laboratory methods, the more unpredictable the events will become. If I use the most homogeneous glass available, polish its surface to the most exact optical flatness, and control the motion of my stone as precisely as possible, ensuring an almost precisely vertical impact on the surface of the glass, all my efforts will only make the events more impossible to predict.
If, on the other hand, I scratch the surface of the glass or use a piece of glass that is already cracked (which would be cheating), I shall be able to make some approximate predictions. For some reason (unknown to me), the break in the glass will run parallel to the scratch and about 1/100 of an inch to the side, so that the scratch mark will appear on only one side of the break. Beyond the end of the scratch, the break will veer off unpredictably.
Under tension, a chain will break at its weakest link. That much is predictable. What is difficult is to identify the weakest link before it breaks. The generic we can know, but the specific eludes us. Some chains are designed to break at a certain tension and at a certain link. But a good chain is homogeneous, and no prediction is possible. And because we cannot know which link is weakest, we cannot know precisely how much tension will be needed to break the chain.
6. Divergent Sequences Are Unpredictable
II Every School Boy Knows
Mind & Nature (Gregory Bateson)
Any form of certainty we find along the way is probably transitional. (Nora Bateson)
Department of Anthropology Indiana University: Gregory Bateson biography
A portrait of Eliane Radigue, produced by the Austrian IMA (Institute for Media Archeology), which observes Eliane in her workspace, operating the ARP and talking about the process of composing and recording.
1. In Guattari’s work, as opposed to scientific paradigms, paradigms that are schizoanalytic, rhizomatic, and chaosmic, involving processes rather than structures.
psychoanalysis, which claimed to affirm itself as scientific, [...] has everything to gain from putting itself under the aegis of this new type of aesthetic processual paradigm. [CM 106 CM=Chaosmosis]
2. A schizoanalytic approach to clinical treatment which, instead of describing the psyche in terms of structures or stages, views the production of subjectivity as a creative process.
Grafts of transference [...] [issue] from a creation which itself indicates a kind of aesthetic paradigm. One creates new modalities of subjectivity in the same way that an artist creates new forms from the palette. [CM 7]
3. The creative capacity of chaosmosis, the emergence of order from chaos, engendering new autopoietic entities; this ontological process is exemplified by but not limited to artistic creation.
art [...] engenders unprecedented, unforeseen and unthinkable qualities of being. The decisive threshold constituting this new aesthetic paradigm lies in the aptitude of these processes of creation to auto-affirm themselves as existential nuclei, autopoietic machines. [CM 106; see also 112] – J. W.
The Deleuze and Guattari Dictionary
Tu v dome:
Ladislav Durko – piano
Ali Kobzova – voice, violin
Bronka Schragge – cello
Ozo Guttler – drums
Martin Sutovec – banjo
The Heart asks Pleasure – first -
And then – Excuse from Pain -
And then – those little Anodyness
That deaden suffering –
And then – to go to sleep –
And then – if it should be
The will of its Inquisitor
The privilege to die –
Emily Dickinson 1830 — 1886
“A Vision in a Dream,” (aka “Kubla Khan” by Samuel Taylor Coleridge
In the summer of the year 1797,
the Author, then in ill health,
had retired to a lonely farm-house
between Porlock and Linton,
on the Exmoor confines
of Somerset and Devonshire.
In consequence of a slight indisposition,
an anodyne had been prescribed,
from the effects of which he fell asleep
in his chair at the moment that
he was reading the following sentence,
or words of the same substance,
in Purchas’s Pilgrimage:
A paved road in Exmoor,
near the confines of Somerset and Devonshire,
also travelled by the Person from Porlock
“Here the Khan Kubla commanded
a palace to be built, and
a stately garden thereunto.
And thus ten miles of fertile ground
were inclosed with a wall.”
The Author continued for about
three hours in a profound sleep,
at least of the external senses,
during which time he has
the most vivid confidence,
that he could not have composed less than
from two to three hundred lines;
if that indeed can be called composition
in which all the images rose up before him
as things, with a parallel production of
the correspondent expressions,
without any sensation
or consciousness of effort.
On awakening he appeared to himself
to have a distinct recollection of the whole,
and taking his pen, ink, and paper,
instantly and eagerly wrote down
the lines that are here preserved.
At this moment he was unfortunately
called out by a person on business from Porlock,
and detained by him above an hour,
and on his return to his room, found,
to his no small surprise and mortification,
that though he still retained
some vague and dim recollection
of the general purport of the vision,
yet, with the exception of some eight
or ten scattered lines and images,
all the rest had passed away
like the images on the surface of
a stream into which a stone has
been cast, but, alas! without
the after restoration of the latter!
Current TV season favorites:
2. True Detective (just completed)
3. The Good Wife
A hovering object that explores and manipulates transitional public spaces with particular acoustic properties. By constantly recording and replaying these ambient sounds, the levitating sphere produces a delayed echo of human activity. Project Page
As a creative person, I decided long ago that I wouldn’t suffer anything for it, except for small frustrations. I am no master and yet this isn’t patently obvious to others. The only mountain created by satisfying my artistic urges is the one that consists of everything I’ve tossed away.
hesitates longingly, monk
saxophone shakes, bright
ladybug wailing, praying
*I changed some of the words.
Panoramic interactive projection, 4.0 surround sound
Loft Project Etagi gallery
Audiovisual installation “Void” is an attempt to visualize the idea of emptiness.
Emptiness here is regarded not as an absence of everything, but as an initial state when anything can appear. To see how dark room turns into the Big Bang epicenter a visitor should become “empty”. Every move and sound, captured by sensitive equipment, stops the 360 degrees audiovisual flow around.
“Void” is a social experiment, to see how long today people can stay totally calm.
Visuals/ programming: A. Letcius, A. Sinica, M. Udchenko
Sound/ programming: A. Kochnev, K. Suhanov, S. Perevoschikov
>>via Robert Rich Facebook; Robert is doing the music.
Life is a system of ‘now you see it,’ and ‘now you don’t.” Alan Watts
Irish animation studio Brown Bag Films released its 2011 short 23 Degrees 5 Minutes online today. Based on a story by Austin Kenny, the CG short is directed by Darragh O’Connell, who has been twice nominated for the animated short Oscar for co-directing the films Give Up Yer Aul Sins and Granny O’Grimm’s Sleeping Beauty.
Joseph Clark, August 7th
via Create Digital Motion Visualism – A new art Form is exemplified in this installation by Jake Snider.
Pixels and vectors aside, visualism is work in light. And so, it’s refreshing to see work as direct and evocative as that sent to CDM by reader Jake Snider. It makes interacting with light the centerpiece of the work. It’s visceral, sensual, and elegant – and keep watching the video above to the very end for a very sweet smooch. (Peter Kirn)