Category Archives: creative captures

Justified Final


Justified ends, and it joins my dramatic one hour tv-in-heaven list.

1. Homicide: Life In the Streets
2. The West Wing
3. Battlestar Gallactica
4. The Sopranos
5. Justified
6. NYPD: Blue
7. Friday Night Lights
8. Star Trek: Deep Space Nine
9. Firefly
10.MI-6
11. The Sarah Connor Chronicles

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Anish Kapoor

Anish Kapoor

Just as you can’t set out to make something beautiful, you can’t set out to make something spiritual. What you can do is recognise that it may be there. It normally has something to do with not having too much to say. There seems to be space for the viewer, and is sometimes something we identify as being spiritual. And it is all about space. Anish Kapoor

I received the following email:

Hi, my name is Nicholas and I work at Artsy.net. While researching Anish Kapoor I found your website – http://squareone-learning.com. Great site, by the way.
I actually worked on Artsy’s new Anish Kapoor page and I think it would be a great resource for your readers. The newly designed page includes his bio, over 100 of his works, exclusive articles about Kapoor, as well as his up-to-date exhibitions – it’s a unique Anish Kapoor resource.
We recently rated Anish as one of the Top 10 artists to watch at Art Basel, and want to support him especially after the recent announcement of his Versaille show.
I’d like to suggest adding a link to Artsy’s Anish Kapoor page, as I believe it would benefit your readers. I look forward to staying in touch with you about future opportunities.
Best,
Nicholas
“Artists don’t make objects. Artists make mythologies.” – Anish Kapoor
[A.]
Bringing the world’s art to everyone with an internet connection.

 

The earlier post here included a quote from Mr. Kapoor. Excellent site for Anish Kapoor at Artsy

(As was Mr. Kapoor, I was born in 1954, and, as is Mr. Kapoor, I am an artist. I’m a philosopher too, but not a philosopher of art.)

 

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Unafraid

GO Cuba from Joshua Morin on Vimeo.

Our late mother Jean emphasized for decades that she believed Cuba would make a fine candidate for statehood, were we just to open up our relations all the way.

I’ve always wanted to write this poem.
I loved her but was afraid to die.
Sitting on the balcony she told me: Butterflies live for one day.
One single day of radiance and then they die.
(Marcelo Morales; translated by: Kristin Dykstra)

Poetry of Cuba, translated at BrooklynRail

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Justified Rides Off

Justified, FX channel, is my favorite TV show. It satisfies a simple prejudice: I have long loved the writing of the brilliantElmore Leonard. The show’s protagonist, Raylan Givens, was created by Leonard.

threeraylanbooks

You got to know Leonard fairly well before he passed away, right? Do you feel like spending a lot of time with him helped you get a sense of who Raylan was?
All the good things about Raylan — they came directly from Elmore. You mentioned the old-fashioned manners and the stoic hero thing, but the thing about Raylan that people really responded to, if I had to guess, was that he seemed effortlessly cool. And that’s Elmore Leonard to a tee. The guy was genuinely cool. It was never a pose with him. You can go into any party or public gathering, and you’ll see lots of people trying to act cool, and then there’s always one person off in the corner, not doing much, who’s the real deal. That was Elmore. (Rolling Stone interview with Timothy Olyphant)

Leonard was so tickled by Olyphant’s characterization, and they became friends, he revived his own character for a fourth story.

Raylan

The show is very violent. It also is sweet too. It often is very funny. It features as a supporting co-star, maybe among the handful of this generation’s greatest tv character actors, Walton Coggins. He plays the villainous foil to Olyphant’s US Marshall, Raylan Givens. The show benefits from its terrific consistency of writing and acting. Those two strengths have even carried it through entire streaks of plotting miscues.

Season Six | Justified Wiki

Timothy Olyphant is either famously charming, or, as Natalie Zea, Raylan’s estranged wife on Justified, has blurted out, “a dick.”

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Confessions With Becker & Fagan

Forgive the snake handler for not knowing the distinction between Steely Dan and Duke Ellington.

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Heironymus Bosch remixes

Bosch-remix-versions#4IMG_0799

My series of experiments visually remixing Peter Brueghel the Elder by using symmetry manipulations led me to my next subject, Hieronymus Bosch.

Extraction of the Stone of Folly

Extraction of the Stone of Folly

Here are several keepers

Boschremix#3

Boschremix#2

Bosch-remix#1

Very little is known about Bosch, which somehow seems fitting since his work is so enigmatic. We know that he adopted the name of the Dutch town of s’Hertogenbosch (near Antwerp) as his own, that he belonged to an ultra-orthodox religious community called the Brotherhood of Mary, and that in his own day he was famous. Many of his paintings are devotional, and there are several on the theme of the Passion. He is specially famous for his fantastic, demon-filled works. (src)

hieronymus-bosch.org

bonus:
Hieronymus Bosch, the Trendiest Apocalyptic Medieval Painter of 2014
The Garden of Earthly Delights is now on leggings, in children’s books, and getting name-checked by cool bands. Why?

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Game Memory

All of the assets in the game are made in Blender using free models from 3D Warehouse. The game itself was made in Unity, and runs on a server in The Netherlands. Up to four players can be on the server at once, but they never see or exist together at the exact same moment. Over the Alex has become obsessed with lag and what it means for memory and the self and this project is the result.

via Creative Applications.net

Nothing of This is Ours – Multiplayer game by Alex Myers

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Crown of Creation

The Upsetter from Encyclopedia Pictura on Vimeo.

GodIsWatching

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Pagan Waterworld

Jaison deCaires TaylorUnderwater Sculpture

A must see artist’s web site.

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Andy Thomas Closes His Eyes

Nightingale and Canary from Andy Thomas on Vimeo.

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Sweetly Focused Nora Bateson

What a great two minutes!

Nora Bateson’s soulful approach to her father’s work, to his way of understanding, strikes me as being beautifully personal, ingratiating, and, most crucially, precisely formulated so as to provide a warm introductory gateway to his legacy.

The following videos help frame her brilliant film about her father, An Ecology of Mind. The interviewers are different, and there is some repetition, yet Ms. Bateson is so much deeply her father’s daughter that I find her views enchanting.

The point of the probe is always in the heart of the explorer. (Gregory Bateson)

According to the popular image of science, everything is, in principle, predictable and controllable; and if some event or process is not predictable and controllable in the present state of your knowledge, a little more knowledge and, especially, a little more know-how will enable us to predict and control the wild variables.

This view is wrong, not merely in detail, but in principle. It is even possible to define large classes or phenomena where prediction and control are simply impossible for very basic but quite understandable reasons. Perhaps the most familiar example of this class of phenomena is the breaking of any superficially homogeneous material, such as glass. The Brownian movement (see Glossary) of molecules in liquids and gases is similarly unpredictable.

If I throw a stone at a glass window, I shall, under appropriate circumstances, break of crack the glass in a star-shaped pattern. If my stone hits the glass as fast as a bullet, it is possible that it will detach from the glass a neat conical plug called a conic of percussion. If my stone is too slow and too small, I may fail to break the glass at all. Prediction and control will be quite possible at this level. I can easily make sure which of three results (the star, the percussion cone, or no breakage) I shall achieve, provided I avoid marginal strengths of throw.

But within the conditions which produce the star-shaped break, it will be impossible to predict or control the pathways and the positions of the arms of the stars.

Curiously enough, the more precise my laboratory methods, the more unpredictable the events will become. If I use the most homogeneous glass available, polish its surface to the most exact optical flatness, and control the motion of my stone as precisely as possible, ensuring an almost precisely vertical impact on the surface of the glass, all my efforts will only make the events more impossible to predict.

If, on the other hand, I scratch the surface of the glass or use a piece of glass that is already cracked (which would be cheating), I shall be able to make some approximate predictions. For some reason (unknown to me), the break in the glass will run parallel to the scratch and about 1/100 of an inch to the side, so that the scratch mark will appear on only one side of the break. Beyond the end of the scratch, the break will veer off unpredictably.

Under tension, a chain will break at its weakest link. That much is predictable. What is difficult is to identify the weakest link before it breaks. The generic we can know, but the specific eludes us. Some chains are designed to break at a certain tension and at a certain link. But a good chain is homogeneous, and no prediction is possible. And because we cannot know which link is weakest, we cannot know precisely how much tension will be needed to break the chain.

6. Divergent Sequences Are Unpredictable
II Every School Boy Knows
Mind & Nature (Gregory Bateson)

Any form of certainty we find along the way is probably transitional. (Nora Bateson)

Nora Bateson from AURA on Vimeo.

Nora Bateson’s film (Amazon DVD) An Ecology of Mind, A Daughter’s Portrait of Gregory Bateson–it’s wonderful– Web Site | An Ecology of the Mind (on Facebook)

Department of Anthropology Indiana University: Gregory Bateson biography

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Explorer 2

A portrait of Eliane Radigue, produced by the Austrian IMA (Institute for Media Archeology), which observes Eliane in her workspace, operating the ARP and talking about the process of composing and recording.

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Explorer 1

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chaosmosis: the emergence of order from chaos, engendering new autopoietic entities

Aesthetic paradigm
1. In Guattari’s work, as opposed to scientific paradigms, paradigms that are schizoanalytic, rhizomatic, and chaosmic, involving processes rather than structures.

psychoanalysis, which claimed to affirm itself as scientific, […] has everything to gain from putting itself under the aegis of this new type of aesthetic processual paradigm. [CM 106 CM=Chaosmosis]

2. A schizoanalytic approach to clinical treatment which, instead of describing the psyche in terms of structures or stages, views the production of subjectivity as a creative process.

Grafts of transference […] [issue] from a creation which itself indicates a kind of aesthetic paradigm. One creates new modalities of subjectivity in the same way that an artist creates new forms from the palette. [CM 7]

3. The creative capacity of chaosmosis, the emergence of order from chaos, engendering new autopoietic entities; this ontological process is exemplified by but not limited to artistic creation.

art […] engenders unprecedented, unforeseen and unthinkable qualities of being. The decisive threshold constituting this new aesthetic paradigm lies in the aptitude of these processes of creation to auto-affirm themselves as existential nuclei, autopoietic machines. [CM 106; see also 112] – J. W.

The Deleuze and Guattari Dictionary


Tu v dome:
Ladislav Durko – piano
Ali Kobzova – voice, violin
Bronka Schragge – cello
Ozo Guttler – drums
Martin Sutovec – banjo
_______________________________
text original:
The Heart asks Pleasure – first –
And then – Excuse from Pain –
And then – those little Anodyness
That deaden suffering –
And then – to go to sleep –
And then – if it should be
The will of its Inquisitor
The privilege to die –
Emily Dickinson 1830 — 1886

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Cellular Mechanics

h/t CDM/Peter Kirn

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Law And Thrones, Game of Order

Curated GOT parodies from 2013

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Hearsee

“A Vision in a Dream,” (aka “Kubla Khan” by Samuel Taylor Coleridge

In the summer of the year 1797,
the Author, then in ill health,
had retired to a lonely farm-house
between Porlock and Linton,
on the Exmoor confines
of Somerset and Devonshire.

In consequence of a slight indisposition,
an anodyne had been prescribed,
from the effects of which he fell asleep
in his chair at the moment that
he was reading the following sentence,
or words of the same substance,
in Purchas’s Pilgrimage:

A paved road in Exmoor,
near the confines of Somerset and Devonshire,
also travelled by the Person from Porlock
“Here the Khan Kubla commanded
a palace to be built, and
a stately garden thereunto.
And thus ten miles of fertile ground
were inclosed with a wall.”
The Author continued for about
three hours in a profound sleep,
at least of the external senses,
during which time he has
the most vivid confidence,
that he could not have composed less than
from two to three hundred lines;
if that indeed can be called composition
in which all the images rose up before him
as things, with a parallel production of
the correspondent expressions,
without any sensation
or consciousness of effort.

On awakening he appeared to himself
to have a distinct recollection of the whole,
and taking his pen, ink, and paper,
instantly and eagerly wrote down
the lines that are here preserved.

At this moment he was unfortunately
called out by a person on business from Porlock,
and detained by him above an hour,
and on his return to his room, found,
to his no small surprise and mortification,
that though he still retained
some vague and dim recollection
of the general purport of the vision,
yet, with the exception of some eight
or ten scattered lines and images,
all the rest had passed away
like the images on the surface of
a stream into which a stone has
been cast, but, alas! without
the after restoration of the latter!

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musicians with guns – overstepping artifacts

musicians with guns – overstepping artifacts from ricardo montalban on Vimeo.

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Community – tag scene

Current TV season favorites:

1. Justified
2. True Detective (just completed)
3. The Good Wife
4. Community
5. Girls

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Hovering & Echoing

A hovering object that explores and manipulates transitional public spaces with particular acoustic properties. By constantly recording and replaying these ambient sounds, the levitating sphere produces a delayed echo of human activity. Project Page

 

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