Tag Archives: my casual art

Animus and Anima



click for large version

Anima and Animus (S.Calhoun, 2010)

More ARK, albeit two frames here are layered and treated via software. (chosen, appropriated frames: using Dreamlines; hat tip to Leonardo Solaas)


This ARK art came together while I was revisiting original sources for understanding the concept of the Collective Unconscious in the Analytic Psychology. In other words: I went to confirm my sense was correct, and it was. It was as simple as I thought it was. (I was moved to do so by observing unnecessary elaboration and subsequent projection of this elaboration.) I did a little more scouring around the secondary literature, all the time keeping in mind the basic rock-bottom conception, the Collective Unconscious is that which is neither conscious, or, is “of” the personal unconscious.

Jung’s development of his psychology makes its sea change upon this concept. The Collective Unconscious is the source for the primordial patterns, the archetypes–and, well, so it went and goes. At the same time, the concept–taken as a proposition–is marvelously and completely circular. Most of Jung’s extrapolations made from his fundamental concept have been stripped away, yet, at the end of Jung’s day, this is the basis for his being a holist, a subjectivist, and, a meta-relativist. …sort of a Swiss William James; and given by this it can said Jung was a kind of proto-post-modernist too.

This is easily rendered: there is no knowledge not darkened and come to be provisional by virtue of its ground in the (evolutionary!) Collective Unconscious. One notes the implicit circularity implicit here.

(Among my gleanings was a fine paper by George Hogenson, The Baldwin effect: a neglected influence on C.G. Jung’s evolutionary thinking. Journal of Analytical Psychology; 48:2001)

For a certain type of intellectual mediocrity characterized by enlightened rationalism, a scientific theory that simplifies matters is a very good means of defence because of the tremendous faith modern man has in anything which bears the label “scientific.” Such a label sets your mind at rest immediately, almost as well as Roma locuta causa finita: “Rome has spoken, the matter is settled.” In itself any scientific theory, no matter how subtle, has, I think, less value from the standpoint of psychological truth than religious dogma, for the simple reason that a theory is necessarily highly abstract and exclusively rational, whereas dogma expresses an irrational whole by means of imagery. This guarantees a far better rendering of an irrational fact like the psyche. Moreover, dogma owes its continued existence and its form on the one hand to so-called “revealed” or immediate experiences of the “Gnosis” for instance, the God-man, the Cross, the Virgin Birth, the Immaculate Conception, the Trinity, and so on, and on the other hand to the ceaseless collaboration of many minds over many centuries. It may not be quite clear why I call certain dogmas “immediate experiences’ since in itself a dogma is the very thing that precludes immediate experience. Yet the Christian images I have mentioned are not peculiar to Christianity alone (although in Christianity they have undergone a development and intensification of meaning not to be found in any other religion). They occur just as often in pagan religions, and besides that they can reappear spontaneously in all sorts of variations as psychic phenomena, just as in the remote past they originated in visions, dreams, or trances. Ideas like these are never invented. They came into being before man had learned to use his mind purposively. Before man learned to produce thoughts, thoughts came to him. He did not think he perceived his mind functioning. Dogma is like a dream, reflecting the spontaneous and autonomous activity of the objective psyche, the unconscious. Such an expression of the unconscious is a much more efficient means of defence against further immediate experiences than any scientific theory.The theory has to disregard the emotional values of the experience. The dogma, on the other hand, is extremely eloquent injust this respect. One scientific theory is soon superseded by another. Dogma lasts for untold centuries. The suffering God-Man may be at least five thousand years old and the Trinity is probably even older. (C.G. Jung; Psychology of Religion East and West; pp45-46)

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Spring

Spring (S.Calhoun 2010)

The kitsch keeps on rollin’. I’m wandering around trying to coin an appropriate acronym. Maybe ‘Appropriated Random Kitsch’ might suffice, or ARK.

(chosen, appropriated frames: using Dreamlines; hat tip to Leonardo Solaas)

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Anthology

new piece of appropriated, generated, and original, digital art. Title: Anthology

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Weakshot – Caramel


Weakshot

Caramel

Both these abstract montages use some screen snaps from my Dreamlines experiment, and other materials that include an old photo of me and a bud from a long time ago, used in Weak Shot. Weakshot also uses some news photos of the failed Russian missile test that spooked Scandinavia for a day last month–thus the title.

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Mechanical Kitsch, or some new frontier?


The Talk


Untitled Texture


Moi

These are screen captures from Leonardo Solaas‘s Dreamlines.

Dreamlines is an art generator that uses search terms entered by the user.

Over at nogutsnoglory studios I have melded a 20 minute ‘generation’ with an outtake from recording sessions done for the Kamelmauz recording last year, Slidemare. There you will find a little more explanation about the specifics of the video, titled Quark.

Since the creative instigation is a simple user input and the animated product manifests as a result of visionary programming, lots of questions are raised about the status of the ensuing art. The instigator doesn’t earn much credit, except it’s up to the instigator to capture or otherwise appropriate the product. Otherwise the results are truly ephemeral.

The captures above, and the video too, are forms of mechanical-graphical kitsch. Still, if you operate Solaas’s generator you may find yourself wanting to retain what appears to be artistic ‘production.’

video link

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Digital Collage: Anti-Realism

Just out of the black hole.

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Kamelmauz – Slidemare – free

Playing playfully under the pseudonym Kamelmauz, I have made available as both streaming mp3s and downloadable Apple lossless, a new recording of experimental dark ambient music, Slidemare. It’s basically a proof-of-concept-record: how to render sound worlds using steel guitars run through effects chains. Verdict? Although I lashed the record together in two months, using materials recorded over four years, the sonic directions some of these sound worlds represent will get more rigorous attention in the near future.

Kamelmauz’s earlier record, In Khorasan, is available as a stream too.

Here’s a taste; the closer, Carapice J, dedicated to Neil Young.

[audio:http://www.squareone-learning.com/audio/slidemare/10.Carapice-J.mp3|titles=Carapice-J|artists=Kamelmauz]
10. Carapice-J

Direct link | nogutsnoglorystudios

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Spiritual Materialism


(click for lightbox enlargement)

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Quinttych – Worship At the Beginning


Worship At the Beginning

Sorting computer files, I found the last part of my five part assemblage.

Here’s the full piece. If you click on it it will open up a lightbox enlargement. (The close-button is in the lower right.)

I suppose for the time being, or maybe for forever, it’s title shall be Untitled Quinttych. The actual individual assemblages are 3″ x 3″, so the computer screen offers the best view. Each provides a kind of ‘where’s Waldo’ exercise because there’s a lot of things hidden in the layers.


From the top:

    Ancient Hunt
    Virgin Meeting
    Sitting In Konya
    Dancing For All
    Worship At the Beginning

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Tree of Life and Death and Life

Sorting through piles of files, I came across an unfinished digital collage. Giving the three layers some attention, I cranked out a new piece.


Title: Tree of Life and Death and Life

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Update – nogutsnoglorystudios

Dub Collison mix – Family Blessing
Jazz. Downloadable with a streaming taste. enjoy

I refashioned the cover for the mix into some more naive! art.

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Web Generated Art – “Foot Steps”

Gambling Genius

Epiphany I.

click on images for large version – More ‘original’ web generated art from the Galanis generator. ‘Original’ is qualified: this is my art but its only due to the willingness to appropriate, my intuition, patience, and some idea about what kind of heuristics may be employed to guide the otherwise random generator’s productive algorhythms. Also, I’m using Photoshop to configure frames and adjust color parameters.

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Triptych: Ruh Fume







(july 1:09) Another piece, Kalis, and explanation at netdynam.org.

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MUSICAL PHOTO: BLOSS


click to see large version
NATURAL BENCH – DETAIL

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WHOLE METAL OLD MAN

More from my walk with Holly.



OLD WHOLE


However, now I’m messing around for ‘artistic’ purposes.

METAL MAN

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MADONNA OF THE FOREST

Visited my friend Holly’s new digs. We went for a walk in the wood lot behind her house, encountered a deer, and had a jolly time. I enjoy such walks on the cusp of spring. On her neighbor’s land Holly pointed out a calm watch-woman of the wood.


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DANCING FOR ALL


click to enlarge

More from the quinttych. If this is the last one to be posted individually I’ll have to post the entire totem. Wait, one more to go.

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ANCIENT HUNT


click to enlarge

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SPACE DEEP AND IMAGINARY

[flashvideo filename=http://www.squareone-learning.com/video/serene_alleluias.flv width=”512″ height=”288″ bufferlength=”30″ /]

buffer needs 30 seconds:total video length is 30 minutes

I’ve assembled two versions of my latest ‘learning curve’ experiment with iMovie. This is the classical version, Serene Alleluias, (title taken from Messiaen’s Serene Alleluias of a Soul Desiring Heaven of a Soul Desiring Heaven, that closes the music track,) and the jazz version, In a Silent Way, is posted over on nogutsnoglory and a lo-fi version on transformative tools. These versions in flash at 15fps don’t do the 24fps HD production justice, so if you want something more deluxe track me down.

I’d like to start making my ‘world hed music’ in mixed-media formats. The assembled two voyages, authored under my design pseudonym Hippie Goat, exceeded my expectations.

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SITTING IN KONYA

Another pane from a recent ‘Quinttych’ rendered as montage and using found (as in: purloined,) images from the web.

Sitting In Konya

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