This is not a post about bongs-as-art. Unfortunately the video I’d like to feature is from VICE, and it can’t be re-embedded. Still, it’s right here and needs to be viewed (5m) before I note its few exemplifications of what I call the 01% thin art world.
First, the subject of the short video is a twenty-one year old college student, although, truth be told, he joined a venture capital group, and, the location for the video is his sleek Manhattan apartment. The young man is clearly monied, entrepreneurial, and, conversant with bongs. He is addressing the question: how such implements might instantly constitute a high end in either the smoking pot or art world?
$100,000 glass sculptures are not unheard of; Dale Chihuly’s chandeliers have sold for well over that amount. (Chihuly chandeliers are large 4-8 feet in length.)
…is actually an accomplished glass blower.
(Edward L. Milstein, Mr. Grey’s father, was around twenty when he co-founded a venture capital firm in NYC.)
Art is flourishing in New York more than anywhere else in America.
The people buying this right now are smokers.
Millennials in Manhattan go to a party implicitly tasked to, hopefully, begin to elevate bongs costing tens of thousands of dollars out of their current niche as high end devices for mere smokers.
Young Benjamin Milstein briefly comments without any guile about how a market might be made in NYC. Take aways, one, throw family money at the challenge, two, enlist apparently accomplished artists/craftsmen and give them a shot at upending the world of 2D hanging art joints on walls. An,d strike while the iron is hot in flourishing NYC!
working class art appreciation: