Tag Archives: Lakewood Ohio

Roots of My Urbanology (II.)

Lakewood Totem
Totem For Lakewood; 2010 S.Calhoun

II. Roots of (My) Urbanology (part two of three parts)

In 1972, my mother suggested that I might find Lewis Mumford interesting. Although I was mostly concerned with–in 1972–squeezing through various doors of perception, I managed to wander through Mumford’s The Conduct of Life, along with Huxley and Laing and Watts. The Conduct of Life was written in 1951. (I suppose hardly anybody reads Mumford anymore.) A few years after returning to Cleveland in 1992, I remember revisiting Mumford in a series of conversations with my mother about Cleveland, cities, the de-industrialization of the Mid West, and, the curse of Ronald Reagan. She insisted I read The Death and Life of Great American Cities by Jane Jacobs. (1961!) I did so. I re-read Mumford’s The City in History. I explained to my dear mother what I meant when I described Mumford to be a constructionist mystic.

In the fall of 2005, again due to the result of a remarkable fortuity, I met the Director of the Lakewood Public Library, Kenneth Warren; (to myself I noted: heck, a constructionist mystic!) I learned of the Visionary Alignment, the Lakewood Observer Project, and soon enough–even though I was a wash-a-shore–was in the thick of it. At the outset, among the suggestions I introduced to the Observer crew was a ripe and dangerous speculative question:

What would it be like to live in a city devoted to knowing itself better than any other city ever has known itself?

I didn’t really get at the time that I was both implying a name for the practical learning process of the project being unfolded by a handful of intrepid Lakewoodites and Observers, and, idealizing a highly charged constellation of conflicting fantasies about what is the very stuff of civic knowledge-seeking and civic knowing. The name/process is simple: civic self-knowledge, but the charging of the civic constellation is altogether complex, entangled, and, as we soon enough came to understand, is plain difficult.

Community, know thyself? Really? Plug into the circuit and call forth shadow, and every variety of impossible dream, and quixotic obstacle?

LAkewood prism
Lakewood Prism (demographic analysis schema)

(from a presentation by Kenneth Warren, – Lakewood Future Tools – Understanding Lakewood: Communities and Memes; March 2005) See also the pdf, Community Capacity.

(Lakewood Ohio) Place-Making with Good Neighbors on the Lake
· Flow =Quality of Life
· Increase the flow states in the community.
· Refresh the conventional sense of local living in Lakewood by engaging good neighbors.
· Cultivate the habit of good neighbors listening to one another.
· Activate through the Lake a sense of the liminal among good neighbors, that is, the threshold of physiological or psychological response to the unique energy that permeates the people and place.
· Make Lakewood permeable to new experience, ideas, mechanisms and structures among good neighbors
who are joining society to economy, conscience to knowledge.
· Obtain commitments from good neighbors to act on projects that will stretch beyond circular, selfjustified egocentric gated communities.
· Know there is a beginning point and ending point to each good neighborhood.
· Realize that a commitment to sustainability is shift in consciousness; it is not about constructing a pretty
fence.
· Understand that places and institutions can get high-jacked by interests that lie outside the particular community, i.e. absentee landlords, absentee corporations and absentee public employees.
· Construct IEDs – Improvised Economic Devises
Ken Warren, Lakewood Visionary Alignment

During the summer of 2006 I happened upon my current research focus, serendipity in adult development. Under the auspices of The Lakewood Observer and Lakewood Public Library, I devised a small project. I would quickly teach street anthropologists to conduct a survey, and then from their gathering of this data set, build out with them a very constrained ethnography focused on a single question, What brought you, [the subject,] to live in Lakewood?

For two weekends a dozen or so of us fanned out through Lakewood and conducted this survey. We then spent an afternoon debriefing the results. We never assembled the final work product, but, in reviewing the surveys on my own time, I realized an amazing quality threaded itself through many of the survey results.

I can capture this quality in one of the answers to the signal question.

My husband and I came to live in Lakewood because he had just taken a job at the hospital in Fairview Park and we were in a very temporary sublet in Rocky River. One day, at the grocery store there, I asked the gal at the cash register if she knew of any good resources for tracking down nice rentals in Rocky River. Before she could answer a woman standing behind me in the checkout line tapped me on the shoulder and told me that her sister had a first floor, two bedroom apartment available in her Lakewood house. I jotted her sister’s number down and we moved in the very next month.

Not only were the surveys littered with similar narratives, but having my nose pushed close to such stories compelled me to consider my own.

So: I had to reckon with the robber in 1974 who made it all possible by trying to kill me.

In other words, I discovered my interest in the problem of serendipity in adult development by reflecting on my apparently fortuitous encounter with a robber in 1974. This reflection itself was inspired by asking residents of Lakewood what was it that brought them to Lakewood to live.

Keynote: communities collect the results of serendipity.

(Technically speaking: communities aggregate the product of intricate conjunctions of agentic, environmental, and temporal fortuities.)

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The Untamed Monad in the Happy World

Scholem-Corbin-VirginiaStreet

extremely rare photo of Gershom Scholem & Henry Corbin loving time on Virginia Street, Lakewood, Ohio

But if the “root” and possibility of Declaration always goes back to the topology of Being itself, what fundamentally Declaration “sees” that authorizes its hazarding concrete steps toward the possibility field it originates and seeks to get underway, is in every case Being itself. The topological feature of Being that is relevant here, would be its propensity to take on appearances. …one can profess neither Thomism, Scotism, nor Augustinianism, and yet ‘valorize’ these theological universes positively, and, without taking up one’s abode in them, keep an abode for them in oneself…

The more perceptions and representations of the universe each monad integrates, the more it unfolds its own perfection and differs from every other. (Chuck Stein – Parimenides Project; Notes on some passages from Henry Corbin’s Avicenna and the Visionary Recital)

Sacrament of Heresy
The Sacrament of Heresy

The Village has set sail for the future, like all of unanchored America, set sail or set adrift, take your choice. A visit to the Village always provokes a crisis of nostalgia in those who have moved on but do not want the Village to move on. (Herbert Gold The Age of Happy Problems)

KW sends my way a deep feed. Miller hails from that great Wood shed of outsider genius. What Herbert Gold did for the outsider in the Wood with Birth of a Hero in 1951 Miller is doing now with Atrocity Parade. Michael A. Miller describes his work:

Atrocity Parade amplifies the sadistic trivia of day-to-day existence. It’s the hymnal and prayer book of society’s heretics. In its angst-riddled pages, post-goths, thrashing bohos, crumbly artqueens, liberal-arts grad students, and all other phyla of overly-ripe, choleric day-job hostages will find asylum.

Commentary. An iconoclastic notion of an active, and interactive urban anthropology could propose that the most determined modes of inquiry would both tease and dig out, first, the overt story, and, second, the covert story. Thirdly, in driving this inquiry beyond and beneath these promotional tales the goal, to borrow from Stein, would be to appear in the possibility field. So: the investigator arrives, body and soul, in the field where the possibilities, say–creative kinds, are unfolding in real time.

This is really to invoke anthropological inquiry as praxis, yet without carrying into the act of enjoining the field, any pretense of objectivity. Another way to put this is to suggest the observer is landed in the poetic Topos; is faced with the fleshy, pulsing, ‘outerward’ cast manifestation of the inner dealing. Asylum here is hideaway, shelter, and possesses both outer and inner wards.

To play with this forming projection would be to sit in a window seat, or on a public bench, or at the park’s picnic table, and intently watch the scurrying about of patients and personnel–as if sidewalk and street were hallway. Them you could ask, as Miller has done.

The, a, City’s deep creative life, in someway, always implicates a daring observer willing to participate. The Sacrament of Heresy seems to me to surface an inevitability, a necessary fluid–moist in the archetypal sense–turning of the conscious citizen.


hat tip to Ken Warren for the pointer to Herbert Gold. I sense with Gold a northcoast Lafcadio Hearn type.) I discovered, evidently, Gold is still alive and has turned or will turn eighty-seven this year. At the bottom of the brief Wikipedia article are links to recent writing on the web.

I love this:

“So I guess you haven’t read one of my actual texts.”

“Not personally. Like I explained, I’ve got a lot on my plate these days.”

That was okay with me; or at least okay enough while, like the gathering clouds of the thunderstorms of my Midwestern boyhood, rage accumulated in my vengeful heart—this is the typical inept poetic strophe of a confirmed author who doesn’t need precision anymore because he has already arrived in the marketplace. Bewitched, Bothered, Begoogled; November 2004; News From the Republic of Letters.

Gold is onto, here, one of the primary rationales for seeking stories in the hideaways.

The excerpt from Stein comes from an email Ken offered, January 5, 2006, about visionary knowledge platforms.

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WALK YOUR WALK

Walk Score allows one to plug in a street address and quickly learn how walkable is the neighborhood the address is located within.

I plugged in my own Shaker Heights address and it received a 65 score. This rates as very walkable, but in truth my neighborhood is residential blocks located between two close-by shopping complexes. Next I plugged in the Phoenix Cafe in Lakewood, and the core was 85. Extremely walkable, and it would put Lakewood in the top 10%, of the 2,500+ neighborhoods the Walk Score Project has scored. The project–and it’s methodology–scored over 1,000,000 locations.

click image for large version

The walker’s paradises are listed. It is restricted to scores taken from neighborhoods in the 40 largest cities. By way of comparison, I scored Church Street in Burlington, Vermont, (population: 39,000) and not surprisingly it scored 97 out of 100.

Cleveland garnered 60 points overall. Cleveland possesses several well-known walker’s districts. For example, the up-and-coming Gordon Square received a ranking of 83. I haven’t delved into the methodology by which many neighborhood’s scores are aggregated to arrive at a city’s score. Anyway, it’s neat that Lakewood is more walkable than New York is overall, and behind San Francisco.

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LIT UP STORY

November 25th I sat at a table of participants I had just met, and then collaborated to create a vision for Cleveland’s sustainable future. In collaborating together and imagining together a middle ground where we fruitfully share our different interests, the group set about doing something I immensely enjoy. This is to then synthesize and express the collaborative product.

The piece of the vision I hoped others could relate to was the relationship between sustainability and human artistry and creativity. Well, my colleagues did relate to this. My own sense has been developing for forty-five years, ever since I conjured up in a boy’s daydream a picture of utopia, a idealized human universe in which everybody made art for everybody else.

In 2005, working with the Visionary Alignment team in Lakewood, I unleashed my conception of the CIMPLE Lit-Up Center. This concept integrates an egalitarian performance space, after school and continuing arts education, and, civic inquiry in the form of a dedicated folk anthropology.

Here’s the floor plan. Download the position paper. [pdf 13mb] It’s beyond open source. click pic to enlarge I’ll comment further soon.

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